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Estadio Maracana, Rio de Janeiro, Brazil, February 4, 1995 (Soundboard Recording) ■Bucketful of Water (2CD) Star Spangled Music SSM008/009 ■Voodoo in Rio (2CD) Midnight Beat MB CD 029/30 ■On TV from Rio 1995 More (2CD) RS 01951/52 River de la Plate Stadium, Buenos Aires, Argentina, February 16, 1995 (Soundboard Recording) ■Sympathy for the Voodoo Cult (2CD) Voodoo 001-002 ■Going Wild (2CD) Rock Solid RS-001/2 ■Satisfaction (2CD) no credit ■Buenos Aires (2CD) PARE 002-1 2 Estadio Nacional, Santiago, Chile, February 19, 1995 (Soundboard Recording) ■Southern Quotations from Chile (2CD) VGP-089 Ellis Park Stadium, Johannesburg, South Africa, February 25, 1995 (Soundboard Recording) ■Everything but the Cobra (2CD) Dr.GIG DGCD 037 ■Live in Johannesbourg (2CD) The Swingin Pig TSP-CD-185 ■Voodoo Africana (2CDR) Sister Morphine Records MORPH 39 Tokyo Dome, Tokyo, Japan, March 6, 1995■ Big Egg First Night Stand 1995 (2CD) VGP-050 Tokyo Dome, Tokyo, Japan, March 8, 1995 ■Surprise Sounds in Mixing Area Tokyo 1995 March 8 (2CD) Shaved Disc Tokyo Dome, Tokyo, Japan, March 9, 1995 ■Never Tired (2CD) VGP-065 Tokyo Dome, Tokyo, Japan, March 12, 1995 (Soundboard Recording) ■Eastern Promise (2CD) Kiss The Stone KTS 445/46 ■Tokyo 1995 (2CD) Continental Drift CD007/008 ■Fuckin Tired (3CD/disc 1, 2) VGP-051 ■Voodoo Edo (2CDR) Sister Morphine Records MORPH 17 ■Honky Tonk Tokyo (2CD) HTT 12951/2 ■Live in Japan (2CD) Octopus OCTO 105-106 Tokyo Dome, Tokyo, Japan, March 14, 1995 ■Never Fade Away (2CDR) TMOQ CD 92998 Tokyo Dome, Tokyo, Japan, March 16, 1995 ■Hope You Guess My Name (2CD) VGP-114 Tokyo Dome, Tokyo, Japan, March 17, 1995 ■Voodoo Lounge Tour Memorial March 1995 (3CD/disc 1, 2) Shaved Disc (source 1) ■94/95 Voodoo Lounge Tour Souvenir / Live in Tokyo 95 (2CD) VGP-058 (source 2) Fukuoka Dome, Fukuoka, Japan, March 23, 1995 ■Voodoo Wild 1995 (2CD) RV Records RS-001/002 Compilation■Voodoo Lounge Tour Memorial March 1995 (3CD/disc 3) Shaved Disc ■Memorial Outtakes (1CD) Shaved Disc ■Rarities Tokyo 95 (1CD) rs002 ■Fuckin Tired (3CD/disc 3) VGP-051 Melbourne Cricket Ground, Melbourne, Australia, March 27, 1995 ■Melbourne 95 / Keef Sings Slipping Away (2CD) Weeping Goat WG-035-36 (source 1) ■Lounging in Melbourne (2CD) Home Records HR6058/59 (source 2) Melbourne Cricket Ground, Melbourne, Australia, March 28, 1995 ■Voodoo Rain Dance-Melbourne (2CD) Red Hot RH-016/017 (source 1) ■Melbourne 95 / Keef Sings Happy (2CD) Weeping Goat WG-037-38 (source 2) Adelaide Football Park, Adelaide, Australia, April 5, 1995 ■You re Not Sugar, I m Not Sugar (2CD) VGP-072 Perry Lakes Stadium, Perth, Australia, April 8, 1995 ■Stoned in Perth (2CD) Weeping Goat WG-045-6 Western Springs Stadium, Auckland, New Zealand, April 16, 1995 ■They re on their Way! (2CD) VGP-066 Western Springs Stadium, Auckland, New Zealand, April 17, 1995 ■Auckland at Your Feet (2CDR) Coast 2 Coast C2C 17 Paradiso, Amsterdam, Netherlands, May 26, 1995■Through the Secret Nights (2CD) VGP-134 remastered gold CD limited edition Paradiso, Amsterdam, Netherlands, May 27, 1995 ■Live at Paradiso, Amsterdam 1995 (2CD) Idol Mind Productions IMP-CD 040-041 ■Marrellous Micky Jagger His Guys (2CD) Save the Earth STE 046 2-CD ■Acoustic (2CD) Typhoon TYN 001/02 ■The Footappers Wheel Shunters Club Gig (2CD) RSP-96011/12 original version ■The Footappers Wheel Shunters Club Gig (2CD) VGP-084 remastered version Olympic Stadium, Stockholm, Sweden, June 3, 1995 ■Voodoo, I Like It (2CD) Crystal Cat Records CC 365-66 ■Stoned S(t)ocks (1CD) Rhino RHP 901 Helsinki Olympic Stadium, Helsinki, Finland, June 6, 1995■Wild Wild Helsinki (2CD) Goldmasters 1999 Stadspark de Goffert, Nijmegen, Netherlands, June 13, 1995 ■Holland 1995 (4CD/19 Tracks) Midnight Beat MB CD 054/056 Stadspark de Goffert, Nijmegen, Netherlands, June 14, 1995 ■Holland 1995 (4CD/6 tracks) Midnight Beat MB CD 054/056 Draf en Renbaan Limburg, Landgraaf, Netherlands, June 18, 1995 ■Holland 1995 (4CD/7 tracks) Midnight Beat MB CD 054/056 Mungersdorfer Stadion, Cologne, Germany, June 20, 1995 ■Eau de Cologne 1995 (2CD) VGP-142 (source 1) ■Surprise...It s Cologne! (2CD) C20.06.95 (source 2) Niedersachsenstadion, Hanover, Germany, June 22, 1995 ■Die Cobra Im Blick (2CD) VGP-143 ■The Hannover Concert (2CD) T A Records T A 003/4 Festival Site, Werchter, Belgium, June 24, 1995 ■Beast of Belgium Vol. 1 / Vol. 2 (4CD/disc 1, 2) The Swingin Pig TSP-CD-190 Festival Site, Werchter, Belgium, June 25, 1995 ■Beast of Belgium Vol. 3 / Vol. 4 (4CD/disc 3, 4) The Swingin Pig TDP-CD-190 (source 1) ■How Does it Feel (2CD) Zero Records ZRCD 208-2 (source 2) Hippodrome de Longchamps, Paris, France, June 30, 1995 ■Comeback to Paris (2CD) VGP-076 ■Voodoo in Paris Lounge (2CDR) Pignose Records PGN 002 Hippodrome de Longchamps, Paris, France, July 1, 1995 ■The Storm at Longchamps (2CD) VGP-077 L Olympia, Paris, France, July 3, 1995■French Made 95 (2CD) VGP-059 1st-issue (source 1) ■French Made 95 (2CD) VGP-059 remastered (source 1) ■Back to the Roots (2CD) OSA/BONG SE-CD-001/002 (source 2) ■Olympia (2CD) Moonraker 001/2 (source 3) Wembley Stadium, Wembley, Middlesex, July 15, 1995■London Lounge (2CD) VGP-104 Brixton Academy, London, July 19, 1995 ■Welcome to Brixton Academy (2CD) VGP-094 (source 1) ■Brix 95 (2CD) no credit (source 2) ■Having a Laugh in Brixton (2CD) BAL 19795A/B (source 3) ■Brixton (2CD) Typhoon TYN008/09 (source 4) Estadio del Molinon, Gijon, Spain, July 22, 1995 ■Summernight (2CD) Rob s Records Avalade, Lisbon, Portugal, July 24, 1995 ■Da lapa Incident / Lisboa 95 (2CD) The Swingin Pig TSP-CD-201 Espace Grammont, Montpellier, France, July 27, 1995 ■Voodoo Minstrels (2CD) VGP-067 (source 1) ■Voodoo Minstrels (2CD) VGP-067 (source 2) Waldbuhne Oesterreich-Ring, Zeltweg/Spielberg, Austria, August 1, 1995 ■Made in Live (2CD) Dirty Work Productions DWP-005 Olympiastadion, Munich, Germany, August 3, 1995■Voodoo You Love (2CD) no credit ■The Munchen Concert (2CD) T A Records T A 005/6 Nepstadion, Budapest, Hungary, August 8, 1995■Budapest Rain (2CD) Risk Disc 001 Festivalgelande, Bad Bentheim/Schuttorf, Germany, August 12, 1995 ■Scuttorf 95 (MTTM 8.951/2) (2CD) ■The Schuttorf Concert (2CD) T A Records T A 007/8 Festwiese, Leipzig, Germany, August 15, 1995 ■The Leipzig Concert (2CD) T A Records T A 009/10 Olympiastadion, Berlin, Germany, August 17, 1995 ■Twins in Berlin (2CD) Happyweed HW.022/023 Hockenheimring, Hockenheim, Germany, August 19, 1995 ■Auf Dem Hockenheimring (2CD) VGP-169 Maimarktgelande, Mannheim, Germany, August 22, 1995 ■Mannheim 1995 (2CD) VGP-103 Volkswagengelande, Wolfsburg, Germany, August 25, 1995 ■The Last Incarnation (2CD) VGP-144 ■The Wolfsburg Concert (2CD) T A 0017/18 Kirschberg Stadium, Luxembourg City, Luxembourg, August 27, 1995 ■Made in Europe (2CD) VGP-075 (source 1) ■Voodoo in the European City of Culture (2CD) LU 27081995 (source 2) Feyenoord-Stadion, Rotterdam, Netherlands, August 29, 1995 ■All Things Must Come to an End (2CD) Spark Records SP 001/2 Feyenoord-Stadion, Rotterdam, Netherlands, August 30, 1995 ■Not Fade Away (2CD) Elmore Records 001/002 (source 1) ■Voodoo Lounge Tour Memorial / European Tour Edition (3CD/disc 1, 2) Shaved Disc (source 1) ■Sample / Rotterdam 95 (2CD) no credit (source 2) Stripped, TV (Soundboard Recording)■Stripped Companion (1CD) RSTS 001 ■Censored (1CD) Electric 30041 ■More Stripped (1CD) Kiss the Stone KTS 585 ■But Naked (2CD/disc 2) VGP-071 Compilation■Voodoo Lounge Tour Memorial / European Tour Edition (3CD/disc 3) no credit (Shaved Disc) ■Voodoo Lounge Holland 1995 (4CD/disc 4) Midnight Beat MB CD 057, August 29, 30, 1995 ■Rare Live Tracks from the Voodoo Lounge Tour 94/95 (1CD) Lost Home Syndicate RS 1, 1994-1995 BACK / NEXT
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このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ERSTER AKT Nr. 1 - Introduktion ▼JOSEF▲ Anna, Anna, Anna! Ich such' jetzt da. Ich such' jetzt dort, Die Kammerjungfer, scheint's, is fort! Soll ich am End' zur Gnäd'gen geh'n? Ja, darf ich mich das untersteh'n? Ich muss halt wissen, und zwar sehr g'schwind, Ob meinen Herrn ich da net find'; Denn diese G'schicht, Die eilt gar sehr, 's is eine wichtige Staatsaffäre, Die er sehr schnell erled'gen muss, Denn sonst gibt's ein Verdruss Mit uns'rem Staate Reuss-Schleiz-Greiz, Mit Dessau and'rerseits, Die Frage brennt bereits! Das hat mir g'sagt der Attaché Und der hat's vom Premier, Und die zwei wissen's eh! Jetzt sag' mir wer Wo steckt mein Herr? Er hat mir ja noch extra g'sagt "Wenn wer heut' nach mir fragt, Dir sag' ich's", sagt er, "ganz allein, Wird' draussen in der Villa sein!" Jetzt renn' ich in die Villa 'naus, Und hier scheint keiner z'Haus … Und gar vom Graden keine Spur… Wo find' ich ihn denn nur? Jetzt sag' mir wer Wo steckt mein Herr? Es wart' die Staatsaffäre! Find Ich ihn nicht, O böse G'schicht, Dann gibt am End' er mir die Schuld! Ich such' ihn da, Ich such' ihn dort, Dazu g'hört faktisch viel Geduld! Ich weiss mir jetzt schon gar kein' Rat, Er schert sich nicht um seinen Staat, O Reuss-Schleiz-Greiz, O Reuss-Schleiz-Greiz, Ich hab' mit dir ein Kreuz! O Reuss-Schleiz-Gretz! Anna! Anna! Anna! ▼FRANZI▲ Josef, Er? ▼JOSEF▲ Ach, Demoisell'! ▼FRANZI▲ Bringt Er Nachricht? Sag' Er schnell ▼JOSEF▲ Demoisell' werd'n schon verzeih'n, Wie sich's passt für ein' Lakai'n, Möcht' ich's Stubenmädel fragen, Ob sie mir vielleicht könnt' sagen, Ob sie es vielleicht möcht' wissen, Ob's die Gnäd'ge tät' verdriessen, Ob ich net komm' ungelegen, Ob - ▼FRANZI▲ Und ob, und ob, und ob! Die Anne Ist jetzt fort und nicht zugegen, Der Herr Graf - ▼JOSEF▲ Is er schon da! ▼FRANZI▲ Er? Noch nicht! ▼JOSEF▲ Da hab'n wir's ja! Alsdann Demoisell', so grüss' ich, Dero Hand gehorsamst küss ich! ▼FRANZI▲ Josef! ▼JOSEF▲ Bitt' schön, Euer Gnaden? ▼FRANZI▲ Sag' Er mir's, 's ist nicht sein Schaden Wo sein Graf zu finden ist? ▼JOSEF▲ Ja, wenn ich das nur selber wüsst! ▼FRANZI▲ Fünf volle Tag', Ich sag'. Fünf Tag' Hab' seinen Herrn ich nicht geseh'n! Fünf ganze Tag', Fünf Tag' Ich frag' Was er treibt, Wo er bleibt? Täglich wird's schlimmer, Denn Frauenzimmer Sind's doch nur immer, Die den Herrn Halten fern! Sag' Er's nur offen, Ich hab's getroffen Lasse Er's hör'n! Doch dass Er mir die Wahrheit spricht, Denn Lügen glückt ihm nicht! Wer auch nur einmal belogen, Der glaubt sich immer betrogen; D'rum frei und offen heraus, Man kommt damit stets gut aus! ▼JOSEF▲ Ah, die fratschelt mich aus! Sie kriegt doch nichts 'raus! ▼FRANZI▲ Na ja, ich riech' schon den Braten, Er darf den Herrn nicht verraten! ▼JOSEF▲ Weil ich selbst gar nix weiss, Nix Neu's! ▼FRANZI▲ Na, frisch heraus mit der Sprach'! Wem steigt denn wohl der Graf jetzt nach? ▼JOSEF▲ Wem steigt der Graf wohl nach? Nr. 2 - Duett （Franzi, Graf） ▼GRAF▲ Grüss Gott, mein liebes Kind' ▼FRANZI▲ Gut'n Tag, mein Herr! ▼GRAF▲ Was hast du? Sag's geschwind! ▼FRANZI▲ Ich bitte sehr . . . ▼GRAF▲ Was hab' ich dir getan? ▼FRANZI▲ Ach, das ist stark, Das ist zu arg! ▼GRAF▲ Was tat ich dir? Na, sag' es mir, sag' es mir doch an! ▼FRANZI▲ Fünf Tage lässt er mich allein, Dann soll ich lieb noch sein! ▼GRAF▲ Ah so, das ist's allein! - Nun, schöne Richt'rin, sprich! ▼FRANZI▲ Geh'weg, geh' fort! ▼GRAF▲ Wess macht' ich schuldig mich? ▼FRANZI▲ Ich sprech' kein Wort! ▼GRAF▲ Was ist denn mein Vergeh'n? ▼FRANZI▲ Ach nichts, ach nichts! ▼GRAF▲ Ich will ja mein Verbrechen gern gesteh'n! ▼FRANZI▲ 's lohnt ja nicht die Müh', Nein, nein, nein! 's ist stets eine "Sie", Und stets das nämliche Verbrechen - O du, du, du, du! Warum darüber sprechen? Ist's nicht Marie, Ist's Sidonie Und Melanie - Stets eine "Sie"! ▼GRAF▲ Nun ja, so lass uns doch darüber sprechen, Mir ist ja wahrlich fremd ein solch' Verbrechen. Ach, Franzi, sieh, So warst du nie! So nenn' mir die, Die du nennst "Sie"! Schau mich an, sag's frei heraus So sieht kein Verbrecher aus! ▼FRANZI▲ Gut! Dann sag' gefälligst mir, Wo du warst, bei welcher "Ihr"? ▼GRAF▲ Ich? Ich war bei meiner Frau! ▼FRANZI▲ Bei der Gräfin? O wie schlau! Das glaub' eine and're dir! ▼GRAF▲ Wirklich, Franzi! Nur bei ihr! Dann und wann muss man doch Auch bei der Frau sein - Siehst du das ein? ▼FRANZI▲ Ja, ich seh's ein! ▼GRAF▲ Drückt auch das Ehejoch, Man wahrt den Schein - Siehst du das ein? ▼FRANZI▲ Ja, ich seh's ein! ▼GRAF▲ Siehst du das ein? ▼FRANZI▲ Leider, leider muss das sein! ▼GRAF▲ Bist ja klug, siehst es ein, Also schick' dich darein! ▼FRANZI▲ Alles versteh'n, Das heisst alles verzeih'n! ▼GRAF▲ So, mein Kind, ist es schön - Alles muss man versteh'n! ▼FRANZI▲ So was versteh'n, Ach, das wird bei Frauen selten geh'n! ▼GRAF▲ Und dann ▼FRANZI▲ Und dann? ▼GRAF▲ Hör' weiter an! Bin bei der Frau ich auch, Denk' ich doch dein, Nur allein dein! ▼FRANZI▲ Säuselst mir jetzt Schmeichelei'n, Glaub' es nicht, nein! ▼GRAF▲ Ja, jeden Atemhauch Will ich dir weih'n, Bin ja ganz dein! ▼FRANZI▲ Du bist lieb; Ich will verzeih'n, Gnädig verzeih'n! So sind wir, Wir von hier! Nur ein gut's Wort Am Ort, Und fort Ist der Zorn und Groll, Wieder liebevoll Sind wir Wiener Frau'n Und ganz voll Vertrau'n! ▼GRAF▲ So seid Ihr, Ihr von hier! Am rechten Ort Ein Wort. Und fort Ist, gottlob, der Groll, Seid so liebevoll, Und darum lieb' Ich die Wiener Frau'n! Nr. 3 - Duett （Graf, Josef） ▼GRAF▲ Na, also schreib' und tu' nicht schmieren! ▼JOSEF▲ Ich bitt' schön, langsam zu diktieren! ▼GRAF▲ Mach' nicht Fehler, 's wäre sträflich! ▼JOSEF▲ O ich schreib' ganz orthogräflich! ▼GRAF▲ Ein hübscher Brief trifft oft ins Ziel… ▼JOSEF▲ D'rum bitt' ich nur, mit recht viel G'fühl! ▼GRAF▲ Du lieber Schatz, ich muss es Dir gesteh'n Seit ich Dich hab' zum erstenmal geseh'n, Ist es um mich, ich schwöre Dir's, gescheh'n, Die Sehnsucht lässt mich ja beinah' vergeh'n. D'rum bitt' ich Dich heut' um ein Stelldichein, Punkt elf, in Hietzing will ich warten Dein, Dort, im Casinogarten werd' ich sein Ich bitt' Dich, Schatz, ich bitt' Dich, Schatz, Find' Dich nur pünktlich ein! ▼JOSEF▲ Das wirkt! Es muss! ▼GRAF▲ Jetzt kommt der Schluss! Schreib' schnell, denn jetzt bin ich im Fluss Du süsses Zuckertäuberl mein, O komm', o komm' zum Stelldichein! Ich wart' bei dem bestimmten Platz, Ich bitt' Dich, komm', Du lieber Schatz! O komm' doch, komm' zum Stelldichein, Ich bitt' Dich, sag' mir ja nicht nein! Hab' Dich ja so lieb, so lieb, Du süsser Herzensdieb! ▼JOSEF▲ Jetzt hat sie's schwarz auf weiss, Dass Sie sie lieben, ganz brennheiss! ▼GRAF▲ Glaubst du, sie kommt hinaus? ▼JOSEF▲ Ach ja, ich kenn' mich aus! ▼GRAF▲ Doch vielleicht hat sie schon Einen Geliebten; was dann, lieber Sohn? ▼JOSEF▲ Ja, das wär' wohl ein G'frett! ▼GRAF▲ Na, das wär' gar nicht nett! ▼JOSEF▲ Doch solche Schneidermamsellen Nehmen's net streng in den Fällen! Herr Graf sind Spezialist im Lieben ▼GRAF▲ Jetzt lesen wir, was wir geschrieben ▼BEIDE▲ Du süsses Zuckertäuberl mein, usw. usw. Nr. 4 - Duett （Pepi, Josef） ▼PEPI▲ Wünsch' gut'n Morgen, Herr von Pepi! ▼JOSEF▲ Ach, die Peperl! So a Freud'! ▼PEPI▲ Bitt' schön, meld' Er mich der Gnäd'gen! ▼JOSEF▲ Muss das gleich sein? Das hat Zeit! ▼PEPI▲ Pratzerl weg! Nur hübsch solid sein! ▼JOSEF▲ Geh', ich bitt' dich! ▼PEPI▲ Geh', sei g'scheit! ▼JOSEF▲ Wie kann man nur gar so fad sein. ▼PEPI▲ Jed's Ding nur zur rechten Zeit! ▼JOSEF▲ Wann hast Zeit? ▼PEPI▲ Am Abend heut'! ▼JOSEF▲ Und dann wo? ▼PEPI▲ Geh' frag' net so! Mir scheint, du willst spassen, Jed's Kind auf der Gassen, Wenn's auch nur so gross is, Weiss doch, was heut' los is'! ▼JOSEF▲ Ach, ich tu' verstehen, Doch 's wird nicht recht gehen! Hab' heut' Dienst beim Herrn, Denn sonst ging mit dir ich gern! ▼BEIDE▲ Drauss'n in Hietzing Gibt's a Remasuri Dui, Dui, Duri! Volksfest, Hetz' und auch ein' Kreuzer-Tanz, All's is g'richt' am höchsten Glanz. Pickfüss' Hölzl a dabei - Harfenisten, Dudlerei - Ah, da wird's heut' fein! Jedes Wiener Kind Rennt nach Hietzing g'schwind - Da dabei muss 's sein! ▼JOSEF▲ Doch mein Graf? ▼PEPI▲ Geht heut' am Ball! ▼JOSEF▲ Richtig ja! ▼PEPI▲ Kommst auf jeden Fall? ▼JOSEF▲ Ja! ▼BEIDE▲ Heut' gibt's feine Sachen Tanzen, dudeln, lachen Heut' das höchste G'setz is', Weil's a Riesenhetz is'! Schieberisch mit Paschen Ja, der hat sich g'waschen Langaus mög'n mir net mehr hör'n, Sechser hab'n mir gern! ▼PEPI▲ Ach, wie ich mich schon d'rauf g'freu'! ▼JOSEF▲ Bin bei jeder Hetz dabei! ▼PEPI▲ Flott soll g'lebt werd'n von uns zwei! ▼BEIDE▲ Es bleibt dabei - Ach, wie ich mich auf Hietzing g'freu'! Nr. 5 - Finale ▼KAGLER▲ Da ist sie ja! ▼MINISTER▲ Das ist sie? Ah! ▼JOSEF▲ Da is sie ja! O Kruzineser! ▼FRANZI▲ Man hat mir g'sagt, Besuch ist da! ▼MINISTER▲ Des Landes Reuss-Schleiz-Greiz Verweser, Premierminister, Fürst von Ypsheim-Gindelbach! ▼KAGLER▲ Was? Reiz-Greiz-Schleiz? ▼JOSEF▲ Mir wird ganz schwach! ▼FRANZI▲ Oh, Durchlaucht! ▼MINISTER▲ Gnäd'ge, hocherfreut! ▼JOSEF▲ Jetzt fahr'n wir ab, 's is d'höchste Zeit! ▼KAGLER▲ Der Herr is' Durchlaucht? Da schau' her! Oh, Euer Durchlaucht, hab' die Ehr'! ▼FRANZI▲ Vom Minister ist das wirklich schön, Dass er Besuch mir macht, Dass er solche Ehre mir erweist, Nein, das hätt' ich nicht gedacht! 's hat der Graf ihm wohl von mir erzählt, Das hat ihn int'ressiert, Neugier ist es, die so sehr ihn quält, Und ihn in die Villa führt! ▼KAGLER▲ Von der Durchlaucht is' das wirklich schön, Dass er ein B'such ihr macht, Doch dass er mir die Ehr' erweist, Das hätt' ich nie gedacht! Dass so eine Durchlaucht mit mir red't, Das wär' mir nie passiert, Das kommt halt einfach nur davon, Weil d' Franzi Gräfin wird! ▼MINISTER▲ Wirklich, die Frau Gräfin ist sehr schön, Hat Eindruck schon gemacht; Ich kann den Grafen nicht versteh'n - Die Frau strahlt ja in Pracht! Dieser Graf ist blind, dass er sich noch Für and're int'ressiert; Ich öffne ihm die Augen doch, Dass er schauen wird! ▼JOSEF▲ Na, die G'schicht wird schöner noch als schön, Wird net ein End' bald g'macht, Wird der Fürst dann später klarer seh'n - Küss' die Hand, wünsch' gute Nacht! Dem Herrn Grafen meld' ich auf der Stell' Das, was da ist passiert, Während mit der fesch'n Probiermamsell' Mein Herr Graf charmuziert! Geh'n wir! Sonst gibt's schöne Sachen! ▼KAGLER▲ 's hat mich g'freut, d' Bekanntschaft z'mach'n! ▼MINISTER▲ Ganz meinerseits! Ganz meinerseits! ▼JOSEF▲ O du verflixtes Reuss-Schleiz-Greiz! Fahr'n mir ab! ▼MINISTER▲ Auf Wiederseh'n! ▼KAGLER▲ B'hüt Ihnen Gott! ▼JOSEF▲ Werd'n S' endlich geh'n! ▼KAGLER▲ Wenn S' meine Rösser woll'n benütz'n, Können S' gratis fahr'n und blitz'n! ▼JOSEF▲ O Kruzi, Kruzi! FRANZI und MINISTER Auf Wiederseh'n! ▼KAGLER▲ Hab' die Ehr'! ▼MINISTER▲ Ein sehr jovialer, alter Herr! Was sprach er, bitte? Fahren? Blitzen? Wie? Den Wiener Dialekt versteh' ich nie! ▼FRANZI▲ Na, mit der Zeit, da wird's schon geh'n! ▼MINISTER▲ Freu' mich unendlich, Sie zu seh'n! Ich staune, dass vor aller Welt Der Graf Sie so verborgen hält?! ▼FRANZI▲ Der Graf? Mein Gott, er ist ja gut, Nur hat er halt ein leichtes Blut! ▼MINISTER▲ Das heisst? Ich bitte! sagen Sie So haben Grund zu klagen Sie? ▼FRANZI▲ Ich kann mich nicht beklagen, Er ist ein Kavalier, Er gab, ich muss es sagen, Davon Beweise mir! Ich kann mich nicht beklagen, Nur dass ihm dann und wann Auch and're Frau'n gefallen Wie jedem ander'n Mann! ▼MINISTER▲ Der Graf, so hört' ich sagen, Ist Gatte nur nebenher, Das ist wohl Grund zum Klagen Ich hörte auch noch mehr! Es treibt es dieser Böse Wahrhaftig zu frivol Mit einer Balletteuse, Cagliari heisst sie wohl? ▼FRANZI▲ Mein Fürst, ich bin… ▼MINISTER▲ Sie sind beleidigt, Kein Mensch den Grafen auch verteidigt! ▼FRANZI▲ Erlauben Sie. . . ▼MINISTER▲ Nur ruhig Blut! Durch Eifersucht wird gar nichts gut! ▼FRANZI▲ Ja, aber ich muss doch erklären ▼MINISTER▲ Ich will darüber gar nichts hören! Ich weiss, was Sie erklären wollen Und kann nur Beifall zollen, Ich respektiere die Moral In jedem Fall! Es fallen da auf Ihren Gatten Verzweifelt düst're Schatten … Wo bleibt da, frag' ich, die Moral? 's grenzt an Skandal! Nein, nein, 's ist wirklich nicht zu sagen, Er treibt's wahrhaftig gar zu weit … ▼FRANZI▲ Jedoch ▼MINISTER▲ In einem off'nen Wagen Sah ich ihn mit der Dingsda heut'! ▼FRANZI▲ Sie sagen heut'? ▼MINISTER▲ So vor zwei Stunden! Welch' Gefühl ich da empfunden, Es grenzte schon an Unbehagen . . . Bedenken Sie! Im off'nen Wagen Mit dieser Dingsda… ▼FRANZI▲ Jetzt genug! ▼MINISTER▲ Nur ruhig! Wir strafen den Betrug! Ich bitte deshalb, keine Trauer, Die Liaisons sind nie von Dauer! Bald hat ein End' die Perfidie! ▼FRANZI▲ Was sagen Sie? ▼MINISTER▲ Ich sag', Verhältnisse wie diese, Die sind, nach Adam Riese, Auf 1 - 2 - 3 vorbei und aus; Er kehrt zurück Zur Gattin wieder voller Reue, Und hält dann mehr die Treue, Und liebt sie mehr, es spriesst aufs neue Sein Eheglück! ▼FRANZI▲ Ich kann nicht mehr …verzeihen Sie … Mir wird. . . mir wird … ich weiss nicht wie! Denn noch kein Mensch hat das gewagt, Und hat mir so etwas gesagt! Ich kann mich nicht beklagen, Das sagt' ich Ihnen schon! Aus dem, was Sie da sagen, Klang's fast heraus wie Hohn! ▼MINISTER▲ Ah, Pardon Sie missverstehen ganz ▼FRANZI▲ Ich hab' ganz gut verstanden, 's war bitt're Ironie, Wenn Sie das nicht empfanden, Nun, dann bedaur' ich Sie! ▼MINISTER▲ O weh! O weh! Mir scheint, mir scheint, Ich hab' nicht diplomatisch da gehandelt. O weh! O weh! Die Gräfin weint - Sie war ja jetzt ganz plötzlich wie verwandelt! Die arme Frau, die arme Frau… Ah, auf einmal geht mir auf ein Licht, Sie ahnte nur, nichts wusste sie, Ich geh' zu ihr, ich war ein… Na … ja! ▼GRÄFIN▲ （tritt ein ） Es hat den Grafen nichts genützt, Das Warnen und das Bitten, Die Neugier ist in mir erwacht, Ich bin hieher geritten! 's steckt was dahinter, das ist klar, Den Grund muss ich erspäh'n! Ich finde alles, wie es war, So lieb, so traut, so schön! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Oft, ach, schmollt 'ich da im Erker, Weil der Graf mich just gefreit! Ach, wie oft an diesem Schreibtisch Klagte ich Mama mein Leid! Wie hab' auf dir ich musiziert, Armes Spinett, dich malträtiert! Die Bibliothek! Mancher Roman, Den man wohl liest, Doch nicht erleben kann! Homer, Wieland, Klopstock, euch hielt ich mir Als Aufputz hier! Was seh' ich da? Da schau', ei, ei, Casanova? Das ist mir neu! - Mein Schlafgemach, es scheint wohl verlassen, Alles ist so, wie's war Hier löst' ich zaghaft mein Myrthenkränzchen Bebend aus dem Haar! Hier nahm als Braut ich zitternd den Schleier Zögernd vom Gesicht - - - Und aus den Augen flossen die Tränen Na, heute heult' ich nicht! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Doch, wer weiss, es kann gelingen, Dass du meine Neugier stillst, Und ich doch was Neues finde, Das du mir verbergen willst! （ab.） ▼MINISTER▲ （tritt wieder ein ） Ich klopfte ganz vergebens, Sie rief gar nicht herein! O Herr du meines Lebens, Wie konnt' so dumm ich sein! Das war nicht politisch, Auch nicht diplomatisch, Das war so Duodez-, Das war so klein-staatisch! Das war mit einem Wort, So drum herum… Das war nicht diplomatisch Sondern einfach dumm! （spricht） Ich gehe noch einmal zu ihr! ▼GRÄFIN▲ （tritt wieder ein ） Ach, bis jetzt, du liebes Nesterl, Fand ich nichts, was mich be… Ein Herr? ▼MINISTER▲ Malheur! Das ist die Dingsda, Mit der er fuhr! ▼GRÄFIN▲ Warum fixiert der Herr mich nur? ▼MINISTER▲ Sie kommt hieher? Das ist zuviel! ▼GRÄFIN▲ Was soll denn dieses Augenspiel? ▼MINISTER▲ Was solch' ein Dämchen alles wagt! ▼GRÄFIN▲ Er macht mich ordentlich verzagt! ▼MINISTER▲ Nun soll sie sehen, was ich kann! ▼GRÄFIN▲ Mir scheint, der Herr spricht mich jetzt an! ▼MINISTER▲ Wissen Sie, was Takt ist? ▼GRÄFIN▲ Was? ▼MINISTER▲ Nein! Sie wissen's nicht! ▼GRÄFIN▲ Wie? ▼MINISTER▲ Dass dies abgeschmackt ist ▼GRÄFIN▲ Oh! ▼MINISTER▲ Sag' ich ins Gesicht! ▼GRÄFIN▲ Mein Herr! ▼MINISTER▲ Jawohl! ▼GRÄFIN▲ Was soll der Ton? ▼MINISTER▲ O Sie verdienen die Lektion! ▼GRAF▲ （tritt ein） Du hier? ▼GRÄFIN▲ Ja, Graf! ▼MINISTER▲ Er ist ganz baff! ▼GRAF▲ Und Durchlaucht, Sie? ▼MINISTER▲ Ja, ich, Herr Graf! ▼GRÄFIN▲ Mein Herr, ich bitte um ein Wort! ▼MINISTER▲ Ein andermal! So bringen Sie die Dame fort! Ist das der Brauch, den Kavaliere übten? Ersparen Sie doch Ihrer Frau Hier die Begegnung mit der … Geliebten! ▼GRAF▲ Sie haben Recht! ▼MINISTER▲ 's wär' gegen alle Sitte! ▼GRÄFIN▲ Was flüstern die? ▼GRAF▲ Reich' deinen Arm, ich bitte! ▼GRÄFIN▲ Was ist gescheh'n? Warum so jäh? ▼MINISTER▲ Wann sagt denn endlich die Adieu? ▼GRAF▲ Komm' doch, ich bitt' dich dringend, geh'! ▼GRÄFIN▲ Nicht eine Silbe ich versteh' . . . Seh' wohl klar, 's ist etwas da gescheh'n, Aber was? Kann's nicht versteh'n, Und er will, ich soll fort, Ich versteh' nicht ein Wort! ▼GRAF▲ Komm' fort! Ich bitt' dich dringend, geh', o geh'! Sie bemerkt, dass etwas da geschehen, Höchste Zeit, d'rum fortzugehen, Bitte, hör' auf mein Wort, Bitte, komm' von hier fort! ▼MINISTER▲ Adieu! Adieu! Adieu! Adieu! Wann sagt denn endlich die Adieu! Wie eine Klette klebt sie da, Frech sind die Dämchen leider ja! Die bringt keiner mehr fort! Es ist schad' um jed's Wort! ▼GRÄFIN▲ Nein, nein, daraus werd' ich nicht klug, Noch kenn' ich mich nicht aus, Doch krieg' ich's schon heraus! Mein Männchen hat da intrigiert, Na, wart', o mein Gemahl, Dir geht's fatal! ▼GRAF▲ Ja, ja, Gefahr ist im Verzug, Noch kennt sie sich nicht aus, Doch kriegt sie's schon heraus! Wüsst' ich, wie man es arrangiert, Sonst geht's nur noch fatal, Ja, sehr fatal! ▼MINISTER▲ Der Graf, der treibt es stark genug, Lässt kommen sich, o Graus, Maitressen in sein Haus Ich bin darüber indigniert, Das nennt sich ein Gemahl, 's ist ein Skandal! ▼FRANZI▲ （tritt ein） Verzeih'n Sie mir! ▼GRAF▲ O weh! O weh! ▼MINISTER▲ Das haben Sie davon! ▼FRANZI▲ Wer ist die Dame? ▼GRÄFIN▲ Wer ist die Dame? ▼GRAF▲ Was tut man da? O bitte, stellen Sie die Dame doch Als Ihre Gemahlin vor! ▼MINISTER▲ Wie? Was? Aha! Sehr gern! Hier meine Gattin! ▼FRANZI▲ Verehrte Fürstin! ▼GRÄFIN▲ Was soll das heissen? ▼GRAF▲ Allmächt'ger Himmel! ▼MINISTER▲ Und nun adieu! Der Wagen wartet schon beim Tor! ▼FRANZI▲ Sie geh'n! Dahinter steckt wohl ein Betrug, Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel! Soll die des Fürsten Fräu doch sein? Ich sag' nein! Die Durchlaucht ihr Gemahl? Ihr Ideal? Ich sag' nein, nein, nein, nein! Und tausendmal nein! Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel. Der Graf muss alles eingesteh'n, Mach' ihm Skandal! ▼GRÄFIN▲ Ich geh'! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat seine Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein! Doch freu' dich, mein Gemahl, Dir geht's fatal! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat sei…e Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein. Ja, ich gehe schon, ich geh', mein Herr Gemahl! ▼GRAF▲ Sie geh'n! O Gott, jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Was fiel ihm denn nur plötzlich ein, Die Gräfin, sein Gemahl? Das ist fatal! O jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Gott sei gelobt, sie geh'n, sie geh'n, 's war recht fatal! ▼MINISTER▲ So komm'! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Der saubere Gemahl, 's Ist ein Skandal! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Ich bitt' dich, komm' jetzt fort, mein teures Eh'gemahl, Komm' jetzt nur fort, mein Eh'gemahl. （Der Vorhang fällt） ERSTER AKT Nr. 1 - Introduktion JOSEF Anna, Anna, Anna! Ich such' jetzt da. Ich such' jetzt dort, Die Kammerjungfer, scheint's, is fort! Soll ich am End' zur Gnäd'gen geh'n? Ja, darf ich mich das untersteh'n? Ich muss halt wissen, und zwar sehr g'schwind, Ob meinen Herrn ich da net find'; Denn diese G'schicht, Die eilt gar sehr, 's is eine wichtige Staatsaffäre, Die er sehr schnell erled'gen muss, Denn sonst gibt's ein Verdruss Mit uns'rem Staate Reuss-Schleiz-Greiz, Mit Dessau and'rerseits, Die Frage brennt bereits! Das hat mir g'sagt der Attaché Und der hat's vom Premier, Und die zwei wissen's eh! Jetzt sag' mir wer Wo steckt mein Herr? Er hat mir ja noch extra g'sagt "Wenn wer heut' nach mir fragt, Dir sag' ich's", sagt er, "ganz allein, Wird' draussen in der Villa sein!" Jetzt renn' ich in die Villa 'naus, Und hier scheint keiner z'Haus … Und gar vom Graden keine Spur… Wo find' ich ihn denn nur? Jetzt sag' mir wer Wo steckt mein Herr? Es wart' die Staatsaffäre! Find Ich ihn nicht, O böse G'schicht, Dann gibt am End' er mir die Schuld! Ich such' ihn da, Ich such' ihn dort, Dazu g'hört faktisch viel Geduld! Ich weiss mir jetzt schon gar kein' Rat, Er schert sich nicht um seinen Staat, O Reuss-Schleiz-Greiz, O Reuss-Schleiz-Greiz, Ich hab' mit dir ein Kreuz! O Reuss-Schleiz-Gretz! Anna! Anna! Anna! FRANZI Josef, Er? JOSEF Ach, Demoisell'! FRANZI Bringt Er Nachricht? Sag' Er schnell JOSEF Demoisell' werd'n schon verzeih'n, Wie sich's passt für ein' Lakai'n, Möcht' ich's Stubenmädel fragen, Ob sie mir vielleicht könnt' sagen, Ob sie es vielleicht möcht' wissen, Ob's die Gnäd'ge tät' verdriessen, Ob ich net komm' ungelegen, Ob - FRANZI Und ob, und ob, und ob! Die Anne Ist jetzt fort und nicht zugegen, Der Herr Graf - JOSEF Is er schon da! FRANZI Er? Noch nicht! JOSEF Da hab'n wir's ja! Alsdann Demoisell', so grüss' ich, Dero Hand gehorsamst küss ich! FRANZI Josef! JOSEF Bitt' schön, Euer Gnaden? FRANZI Sag' Er mir's, 's ist nicht sein Schaden Wo sein Graf zu finden ist? JOSEF Ja, wenn ich das nur selber wüsst! FRANZI Fünf volle Tag', Ich sag'. Fünf Tag' Hab' seinen Herrn ich nicht geseh'n! Fünf ganze Tag', Fünf Tag' Ich frag' Was er treibt, Wo er bleibt? Täglich wird's schlimmer, Denn Frauenzimmer Sind's doch nur immer, Die den Herrn Halten fern! Sag' Er's nur offen, Ich hab's getroffen Lasse Er's hör'n! Doch dass Er mir die Wahrheit spricht, Denn Lügen glückt ihm nicht! Wer auch nur einmal belogen, Der glaubt sich immer betrogen; D'rum frei und offen heraus, Man kommt damit stets gut aus! JOSEF Ah, die fratschelt mich aus! Sie kriegt doch nichts 'raus! FRANZI Na ja, ich riech' schon den Braten, Er darf den Herrn nicht verraten! JOSEF Weil ich selbst gar nix weiss, Nix Neu's! FRANZI Na, frisch heraus mit der Sprach'! Wem steigt denn wohl der Graf jetzt nach? JOSEF Wem steigt der Graf wohl nach? Nr. 2 - Duett Franzi, Graf GRAF Grüss Gott, mein liebes Kind' FRANZI Gut'n Tag, mein Herr! GRAF Was hast du? Sag's geschwind! FRANZI Ich bitte sehr . . . GRAF Was hab' ich dir getan? FRANZI Ach, das ist stark, Das ist zu arg! GRAF Was tat ich dir? Na, sag' es mir, sag' es mir doch an! FRANZI Fünf Tage lässt er mich allein, Dann soll ich lieb noch sein! GRAF Ah so, das ist's allein! - Nun, schöne Richt'rin, sprich! FRANZI Geh'weg, geh' fort! GRAF Wess macht' ich schuldig mich? FRANZI Ich sprech' kein Wort! GRAF Was ist denn mein Vergeh'n? FRANZI Ach nichts, ach nichts! GRAF Ich will ja mein Verbrechen gern gesteh'n! FRANZI 's lohnt ja nicht die Müh', Nein, nein, nein! 's ist stets eine "Sie", Und stets das nämliche Verbrechen - O du, du, du, du! Warum darüber sprechen? Ist's nicht Marie, Ist's Sidonie Und Melanie - Stets eine "Sie"! GRAF Nun ja, so lass uns doch darüber sprechen, Mir ist ja wahrlich fremd ein solch' Verbrechen. Ach, Franzi, sieh, So warst du nie! So nenn' mir die, Die du nennst "Sie"! Schau mich an, sag's frei heraus So sieht kein Verbrecher aus! FRANZI Gut! Dann sag' gefälligst mir, Wo du warst, bei welcher "Ihr"? GRAF Ich? Ich war bei meiner Frau! FRANZI Bei der Gräfin? O wie schlau! Das glaub' eine and're dir! GRAF Wirklich, Franzi! Nur bei ihr! Dann und wann muss man doch Auch bei der Frau sein - Siehst du das ein? FRANZI Ja, ich seh's ein! GRAF Drückt auch das Ehejoch, Man wahrt den Schein - Siehst du das ein? FRANZI Ja, ich seh's ein! GRAF Siehst du das ein? FRANZI Leider, leider muss das sein! GRAF Bist ja klug, siehst es ein, Also schick' dich darein! FRANZI Alles versteh'n, Das heisst alles verzeih'n! GRAF So, mein Kind, ist es schön - Alles muss man versteh'n! FRANZI So was versteh'n, Ach, das wird bei Frauen selten geh'n! GRAF Und dann FRANZI Und dann? GRAF Hör' weiter an! Bin bei der Frau ich auch, Denk' ich doch dein, Nur allein dein! FRANZI Säuselst mir jetzt Schmeichelei'n, Glaub' es nicht, nein! GRAF Ja, jeden Atemhauch Will ich dir weih'n, Bin ja ganz dein! FRANZI Du bist lieb; Ich will verzeih'n, Gnädig verzeih'n! So sind wir, Wir von hier! Nur ein gut's Wort Am Ort, Und fort Ist der Zorn und Groll, Wieder liebevoll Sind wir Wiener Frau'n Und ganz voll Vertrau'n! GRAF So seid Ihr, Ihr von hier! Am rechten Ort Ein Wort. Und fort Ist, gottlob, der Groll, Seid so liebevoll, Und darum lieb' Ich die Wiener Frau'n! Nr. 3 - Duett Graf, Josef GRAF Na, also schreib' und tu' nicht schmieren! JOSEF Ich bitt' schön, langsam zu diktieren! GRAF Mach' nicht Fehler, 's wäre sträflich! JOSEF O ich schreib' ganz orthogräflich! GRAF Ein hübscher Brief trifft oft ins Ziel… JOSEF D'rum bitt' ich nur, mit recht viel G'fühl! GRAF Du lieber Schatz, ich muss es Dir gesteh'n Seit ich Dich hab' zum erstenmal geseh'n, Ist es um mich, ich schwöre Dir's, gescheh'n, Die Sehnsucht lässt mich ja beinah' vergeh'n. D'rum bitt' ich Dich heut' um ein Stelldichein, Punkt elf, in Hietzing will ich warten Dein, Dort, im Casinogarten werd' ich sein Ich bitt' Dich, Schatz, ich bitt' Dich, Schatz, Find' Dich nur pünktlich ein! JOSEF Das wirkt! Es muss! GRAF Jetzt kommt der Schluss! Schreib' schnell, denn jetzt bin ich im Fluss Du süsses Zuckertäuberl mein, O komm', o komm' zum Stelldichein! Ich wart' bei dem bestimmten Platz, Ich bitt' Dich, komm', Du lieber Schatz! O komm' doch, komm' zum Stelldichein, Ich bitt' Dich, sag' mir ja nicht nein! Hab' Dich ja so lieb, so lieb, Du süsser Herzensdieb! JOSEF Jetzt hat sie's schwarz auf weiss, Dass Sie sie lieben, ganz brennheiss! GRAF Glaubst du, sie kommt hinaus? JOSEF Ach ja, ich kenn' mich aus! GRAF Doch vielleicht hat sie schon Einen Geliebten; was dann, lieber Sohn? JOSEF Ja, das wär' wohl ein G'frett! GRAF Na, das wär' gar nicht nett! JOSEF Doch solche Schneidermamsellen Nehmen's net streng in den Fällen! Herr Graf sind Spezialist im Lieben GRAF Jetzt lesen wir, was wir geschrieben BEIDE Du süsses Zuckertäuberl mein, usw. usw. Nr. 4 - Duett Pepi, Josef PEPI Wünsch' gut'n Morgen, Herr von Pepi! JOSEF Ach, die Peperl! So a Freud'! PEPI Bitt' schön, meld' Er mich der Gnäd'gen! JOSEF Muss das gleich sein? Das hat Zeit! PEPI Pratzerl weg! Nur hübsch solid sein! JOSEF Geh', ich bitt' dich! PEPI Geh', sei g'scheit! JOSEF Wie kann man nur gar so fad sein. PEPI Jed's Ding nur zur rechten Zeit! JOSEF Wann hast Zeit? PEPI Am Abend heut'! JOSEF Und dann wo? PEPI Geh' frag' net so! Mir scheint, du willst spassen, Jed's Kind auf der Gassen, Wenn's auch nur so gross is, Weiss doch, was heut' los is'! JOSEF Ach, ich tu' verstehen, Doch 's wird nicht recht gehen! Hab' heut' Dienst beim Herrn, Denn sonst ging mit dir ich gern! BEIDE Drauss'n in Hietzing Gibt's a Remasuri Dui, Dui, Duri! Volksfest, Hetz' und auch ein' Kreuzer-Tanz, All's is g'richt' am höchsten Glanz. Pickfüss' Hölzl a dabei - Harfenisten, Dudlerei - Ah, da wird's heut' fein! Jedes Wiener Kind Rennt nach Hietzing g'schwind - Da dabei muss 's sein! JOSEF Doch mein Graf? PEPI Geht heut' am Ball! JOSEF Richtig ja! PEPI Kommst auf jeden Fall? JOSEF Ja! BEIDE Heut' gibt's feine Sachen Tanzen, dudeln, lachen Heut' das höchste G'setz is', Weil's a Riesenhetz is'! Schieberisch mit Paschen Ja, der hat sich g'waschen Langaus mög'n mir net mehr hör'n, Sechser hab'n mir gern! PEPI Ach, wie ich mich schon d'rauf g'freu'! JOSEF Bin bei jeder Hetz dabei! PEPI Flott soll g'lebt werd'n von uns zwei! BEIDE Es bleibt dabei - Ach, wie ich mich auf Hietzing g'freu'! Nr. 5 - Finale KAGLER Da ist sie ja! MINISTER Das ist sie? Ah! JOSEF Da is sie ja! O Kruzineser! FRANZI Man hat mir g'sagt, Besuch ist da! MINISTER Des Landes Reuss-Schleiz-Greiz Verweser, Premierminister, Fürst von Ypsheim-Gindelbach! KAGLER Was? Reiz-Greiz-Schleiz? JOSEF Mir wird ganz schwach! FRANZI Oh, Durchlaucht! MINISTER Gnäd'ge, hocherfreut! JOSEF Jetzt fahr'n wir ab, 's is d'höchste Zeit! KAGLER Der Herr is' Durchlaucht? Da schau' her! Oh, Euer Durchlaucht, hab' die Ehr'! FRANZI Vom Minister ist das wirklich schön, Dass er Besuch mir macht, Dass er solche Ehre mir erweist, Nein, das hätt' ich nicht gedacht! 's hat der Graf ihm wohl von mir erzählt, Das hat ihn int'ressiert, Neugier ist es, die so sehr ihn quält, Und ihn in die Villa führt! KAGLER Von der Durchlaucht is' das wirklich schön, Dass er ein B'such ihr macht, Doch dass er mir die Ehr' erweist, Das hätt' ich nie gedacht! Dass so eine Durchlaucht mit mir red't, Das wär' mir nie passiert, Das kommt halt einfach nur davon, Weil d' Franzi Gräfin wird! MINISTER Wirklich, die Frau Gräfin ist sehr schön, Hat Eindruck schon gemacht; Ich kann den Grafen nicht versteh'n - Die Frau strahlt ja in Pracht! Dieser Graf ist blind, dass er sich noch Für and're int'ressiert; Ich öffne ihm die Augen doch, Dass er schauen wird! JOSEF Na, die G'schicht wird schöner noch als schön, Wird net ein End' bald g'macht, Wird der Fürst dann später klarer seh'n - Küss' die Hand, wünsch' gute Nacht! Dem Herrn Grafen meld' ich auf der Stell' Das, was da ist passiert, Während mit der fesch'n Probiermamsell' Mein Herr Graf charmuziert! Geh'n wir! Sonst gibt's schöne Sachen! KAGLER 's hat mich g'freut, d' Bekanntschaft z'mach'n! MINISTER Ganz meinerseits! Ganz meinerseits! JOSEF O du verflixtes Reuss-Schleiz-Greiz! Fahr'n mir ab! MINISTER Auf Wiederseh'n! KAGLER B'hüt Ihnen Gott! JOSEF Werd'n S' endlich geh'n! KAGLER Wenn S' meine Rösser woll'n benütz'n, Können S' gratis fahr'n und blitz'n! JOSEF O Kruzi, Kruzi! FRANZI und MINISTER Auf Wiederseh'n! KAGLER Hab' die Ehr'! MINISTER Ein sehr jovialer, alter Herr! Was sprach er, bitte? Fahren? Blitzen? Wie? Den Wiener Dialekt versteh' ich nie! FRANZI Na, mit der Zeit, da wird's schon geh'n! MINISTER Freu' mich unendlich, Sie zu seh'n! Ich staune, dass vor aller Welt Der Graf Sie so verborgen hält?! FRANZI Der Graf? Mein Gott, er ist ja gut, Nur hat er halt ein leichtes Blut! MINISTER Das heisst? Ich bitte! sagen Sie So haben Grund zu klagen Sie? FRANZI Ich kann mich nicht beklagen, Er ist ein Kavalier, Er gab, ich muss es sagen, Davon Beweise mir! Ich kann mich nicht beklagen, Nur dass ihm dann und wann Auch and're Frau'n gefallen Wie jedem ander'n Mann! MINISTER Der Graf, so hört' ich sagen, Ist Gatte nur nebenher, Das ist wohl Grund zum Klagen Ich hörte auch noch mehr! Es treibt es dieser Böse Wahrhaftig zu frivol Mit einer Balletteuse, Cagliari heisst sie wohl? FRANZI Mein Fürst, ich bin… MINISTER Sie sind beleidigt, Kein Mensch den Grafen auch verteidigt! FRANZI Erlauben Sie. . . MINISTER Nur ruhig Blut! Durch Eifersucht wird gar nichts gut! FRANZI Ja, aber ich muss doch erklären MINISTER Ich will darüber gar nichts hören! Ich weiss, was Sie erklären wollen Und kann nur Beifall zollen, Ich respektiere die Moral In jedem Fall! Es fallen da auf Ihren Gatten Verzweifelt düst're Schatten … Wo bleibt da, frag' ich, die Moral? 's grenzt an Skandal! Nein, nein, 's ist wirklich nicht zu sagen, Er treibt's wahrhaftig gar zu weit … FRANZI Jedoch MINISTER In einem off'nen Wagen Sah ich ihn mit der Dingsda heut'! FRANZI Sie sagen heut'? MINISTER So vor zwei Stunden! Welch' Gefühl ich da empfunden, Es grenzte schon an Unbehagen . . . Bedenken Sie! Im off'nen Wagen Mit dieser Dingsda… FRANZI Jetzt genug! MINISTER Nur ruhig! Wir strafen den Betrug! Ich bitte deshalb, keine Trauer, Die Liaisons sind nie von Dauer! Bald hat ein End' die Perfidie! FRANZI Was sagen Sie? MINISTER Ich sag', Verhältnisse wie diese, Die sind, nach Adam Riese, Auf 1 - 2 - 3 vorbei und aus; Er kehrt zurück Zur Gattin wieder voller Reue, Und hält dann mehr die Treue, Und liebt sie mehr, es spriesst aufs neue Sein Eheglück! FRANZI Ich kann nicht mehr …verzeihen Sie … Mir wird. . . mir wird … ich weiss nicht wie! Denn noch kein Mensch hat das gewagt, Und hat mir so etwas gesagt! Ich kann mich nicht beklagen, Das sagt' ich Ihnen schon! Aus dem, was Sie da sagen, Klang's fast heraus wie Hohn! MINISTER Ah, Pardon Sie missverstehen ganz FRANZI Ich hab' ganz gut verstanden, 's war bitt're Ironie, Wenn Sie das nicht empfanden, Nun, dann bedaur' ich Sie! MINISTER O weh! O weh! Mir scheint, mir scheint, Ich hab' nicht diplomatisch da gehandelt. O weh! O weh! Die Gräfin weint - Sie war ja jetzt ganz plötzlich wie verwandelt! Die arme Frau, die arme Frau… Ah, auf einmal geht mir auf ein Licht, Sie ahnte nur, nichts wusste sie, Ich geh' zu ihr, ich war ein… Na … ja! GRÄFIN tritt ein Es hat den Grafen nichts genützt, Das Warnen und das Bitten, Die Neugier ist in mir erwacht, Ich bin hieher geritten! 's steckt was dahinter, das ist klar, Den Grund muss ich erspäh'n! Ich finde alles, wie es war, So lieb, so traut, so schön! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Oft, ach, schmollt 'ich da im Erker, Weil der Graf mich just gefreit! Ach, wie oft an diesem Schreibtisch Klagte ich Mama mein Leid! Wie hab' auf dir ich musiziert, Armes Spinett, dich malträtiert! Die Bibliothek! Mancher Roman, Den man wohl liest, Doch nicht erleben kann! Homer, Wieland, Klopstock, euch hielt ich mir Als Aufputz hier! Was seh' ich da? Da schau', ei, ei, Casanova? Das ist mir neu! - Mein Schlafgemach, es scheint wohl verlassen, Alles ist so, wie's war Hier löst' ich zaghaft mein Myrthenkränzchen Bebend aus dem Haar! Hier nahm als Braut ich zitternd den Schleier Zögernd vom Gesicht - - - Und aus den Augen flossen die Tränen Na, heute heult' ich nicht! Grüss dich Gott, du liebes Nesterl, Wie du warst, find' ich dich noch, So wie einst ich dich verlassen, Als mich drückt' das Ehejoch! Doch, wer weiss, es kann gelingen, Dass du meine Neugier stillst, Und ich doch was Neues finde, Das du mir verbergen willst! ab. MINISTER tritt wieder ein Ich klopfte ganz vergebens, Sie rief gar nicht herein! O Herr du meines Lebens, Wie konnt' so dumm ich sein! Das war nicht politisch, Auch nicht diplomatisch, Das war so Duodez-, Das war so klein-staatisch! Das war mit einem Wort, So drum herum… Das war nicht diplomatisch Sondern einfach dumm! spricht Ich gehe noch einmal zu ihr! GRÄFIN tritt wieder ein Ach, bis jetzt, du liebes Nesterl, Fand ich nichts, was mich be… Ein Herr? MINISTER Malheur! Das ist die Dingsda, Mit der er fuhr! GRÄFIN Warum fixiert der Herr mich nur? MINISTER Sie kommt hieher? Das ist zuviel! GRÄFIN Was soll denn dieses Augenspiel? MINISTER Was solch' ein Dämchen alles wagt! GRÄFIN Er macht mich ordentlich verzagt! MINISTER Nun soll sie sehen, was ich kann! GRÄFIN Mir scheint, der Herr spricht mich jetzt an! MINISTER Wissen Sie, was Takt ist? GRÄFIN Was? MINISTER Nein! Sie wissen's nicht! GRÄFIN Wie? MINISTER Dass dies abgeschmackt ist GRÄFIN Oh! MINISTER Sag' ich ins Gesicht! GRÄFIN Mein Herr! MINISTER Jawohl! GRÄFIN Was soll der Ton? MINISTER O Sie verdienen die Lektion! GRAF tritt ein Du hier? GRÄFIN Ja, Graf! MINISTER Er ist ganz baff! GRAF Und Durchlaucht, Sie? MINISTER Ja, ich, Herr Graf! GRÄFIN Mein Herr, ich bitte um ein Wort! MINISTER Ein andermal! So bringen Sie die Dame fort! Ist das der Brauch, den Kavaliere übten? Ersparen Sie doch Ihrer Frau Hier die Begegnung mit der … Geliebten! GRAF Sie haben Recht! MINISTER 's wär' gegen alle Sitte! GRÄFIN Was flüstern die? GRAF Reich' deinen Arm, ich bitte! GRÄFIN Was ist gescheh'n? Warum so jäh? MINISTER Wann sagt denn endlich die Adieu? GRAF Komm' doch, ich bitt' dich dringend, geh'! GRÄFIN Nicht eine Silbe ich versteh' . . . Seh' wohl klar, 's ist etwas da gescheh'n, Aber was? Kann's nicht versteh'n, Und er will, ich soll fort, Ich versteh' nicht ein Wort! GRAF Komm' fort! Ich bitt' dich dringend, geh', o geh'! Sie bemerkt, dass etwas da geschehen, Höchste Zeit, d'rum fortzugehen, Bitte, hör' auf mein Wort, Bitte, komm' von hier fort! MINISTER Adieu! Adieu! Adieu! Adieu! Wann sagt denn endlich die Adieu! Wie eine Klette klebt sie da, Frech sind die Dämchen leider ja! Die bringt keiner mehr fort! Es ist schad' um jed's Wort! GRÄFIN Nein, nein, daraus werd' ich nicht klug, Noch kenn' ich mich nicht aus, Doch krieg' ich's schon heraus! Mein Männchen hat da intrigiert, Na, wart', o mein Gemahl, Dir geht's fatal! GRAF Ja, ja, Gefahr ist im Verzug, Noch kennt sie sich nicht aus, Doch kriegt sie's schon heraus! Wüsst' ich, wie man es arrangiert, Sonst geht's nur noch fatal, Ja, sehr fatal! MINISTER Der Graf, der treibt es stark genug, Lässt kommen sich, o Graus, Maitressen in sein Haus Ich bin darüber indigniert, Das nennt sich ein Gemahl, 's ist ein Skandal! FRANZI tritt ein Verzeih'n Sie mir! GRAF O weh! O weh! MINISTER Das haben Sie davon! FRANZI Wer ist die Dame? GRÄFIN Wer ist die Dame? GRAF Was tut man da? O bitte, stellen Sie die Dame doch Als Ihre Gemahlin vor! MINISTER Wie? Was? Aha! Sehr gern! Hier meine Gattin! FRANZI Verehrte Fürstin! GRÄFIN Was soll das heissen? GRAF Allmächt'ger Himmel! MINISTER Und nun adieu! Der Wagen wartet schon beim Tor! FRANZI Sie geh'n! Dahinter steckt wohl ein Betrug, Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel! Soll die des Fürsten Fräu doch sein? Ich sag' nein! Die Durchlaucht ihr Gemahl? Ihr Ideal? Ich sag' nein, nein, nein, nein! Und tausendmal nein! Doch kenn' ich nicht das Ziel, Verstehe nicht das Spiel. Der Graf muss alles eingesteh'n, Mach' ihm Skandal! GRÄFIN Ich geh'! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat seine Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein! Doch freu' dich, mein Gemahl, Dir geht's fatal! Ja, was bedeutet der Betrug, Der Graf, ich weiss soviel, Hat sei…e Hand im Spiel! Jetzt geh' darauf ich scheinbar ein, Lass es sein. Ja, ich gehe schon, ich geh', mein Herr Gemahl! GRAF Sie geh'n! O Gott, jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Was fiel ihm denn nur plötzlich ein, Die Gräfin, sein Gemahl? Das ist fatal! O jetzt merkt sie den Betrug, Der Fürst verdarb das Spiel, Das war ja nicht mein Ziel! Gott sei gelobt, sie geh'n, sie geh'n, 's war recht fatal! MINISTER So komm'! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Der saubere Gemahl, 's Ist ein Skandal! Die Aermste merkt noch den Betrug, Und ich die Hand im Spiel? Das schiesst doch über's Ziel! Doch tat ich's für die Frau allein, Nur zum Schein! Ich bitt' dich, komm' jetzt fort, mein teures Eh'gemahl, Komm' jetzt nur fort, mein Eh'gemahl. Der Vorhang fällt Strauss,Johann II/Wiener Blut/II
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Space in the 1980s and Beyond (Science and Technology Series) Amer Astronautical Society? England) European Space Symposium 1980 (London? Peter M. Bainum? American Astronautical Society? AmerAstronauticalSociety? England)EuropeanSpaceSymposium1980(London? PeterM.Bainum? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Spacelab, Space Platforms and the Future (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Dglr Symposium 1982 (Goddard Space Flight Center)? Peter M. Bainum? Dietrich E. Kolle? Goddard Memorial Symposium 1982 (Goddard Space Flight Center)? American Astronautical Society? AmerAstronauticalSociety? Aas? DglrSymposium1982(GoddardSpaceFlightCenter)? PeterM.Bainum? DietrichE.Kolle? GoddardMemorialSymposium1982(GoddardSpaceFlightCenter)? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Developing the Space Frontier Advances in the Astronautical Sciences (Advances in the Astronautical Sciences) Univelt? Tex.) Aas Conference 1982 (Houston? Albert Naumann? Grover L. Alexander? American Institute of Aeronautics and Astronautics? American Astronautical Society? Univelt? Tex.)AasConference1982(Houston? AlbertNaumann? GroverL.Alexander? AmericanInstituteofAeronauticsandAstronautics? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Space Applications at the Crossroads Proceedings of Aas Conference Held March 24-25, 1983, at the Nasa Goddard Space Flight Center, Greenbelt, Maryland (Science and Technology Series) Univelt? Goddard Memorial Symposium? John H. McElroy? E. Larry Heacock? American Astronautical Society? Univelt? GoddardMemorialSymposium? JohnH.McElroy? E.LarryHeacock? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The Case for Mars (Science and Technology Series) Amer Astronautical Society? Penelope J. Boston? AmerAstronauticalSociety? PenelopeJ.Boston? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Mars? Permanent Presence --Making It Work (Science and Technology Series) Univelt? Ivan Bekey? Univelt? IvanBekey? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Europe/United States Space Activities With a Space Propulsion Supplement (Science and Technology Series) Univelt? Goddard Memorial Symposium 1985 (Nasa Goddard Space Flight Center)? Peter M. Bainum? Friedrich Von Bun? Calif.) Aas Conference 1984 (Palo Alto? European Space Symposium 1985 (Nasa Goddard Space Flight Center)? Univelt? GoddardMemorialSymposium1985(NasaGoddardSpaceFlightCenter)? PeterM.Bainum? FriedrichVonBun? Calif.)AasConference1984(PaloAlto? EuropeanSpaceSymposium1985(NasaGoddardSpaceFlightCenter)? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Case for Mars II (Science and Technology Series) Univelt? Christopher P. McKay? Univelt? ChristopherP.McKay? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-Astronomy-Mars? Space Station Beyond Ioc Proceedings of the 32nd Annual Aas International Conference Held November 6-7, 1985, at Los Angeles, California (Advances in the Astronautical Sciences) Amer Astronautical Society? Calif.) Aas Conference 1985 (Los Angeles? M. Jack Friedenthal? American Astronautical Society? AmerAstronauticalSociety? Calif.)AasConference1985(LosAngeles? M.JackFriedenthal? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Space Exploitation and Utilization Proceedings of the First Aas/Jrs Symposium (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Hawaii) Jrs Symposium 1985 (Honolulu? Gayle L. May? American Astronautical Society? Nihon Roketto Kyokai? AmerAstronauticalSociety? Aas? Hawaii)JrsSymposium1985(Honolulu? GayleL.May? AmericanAstronauticalSociety? NihonRokettoKyokai? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Tethers in Space Proceedings (Advances in the Astronautical Sciences) Amer Astronautical Society? Ivan Bekey? Luciano Guerriero? Peter M. Bainum? Nasa? Aiaa? Psn International Conference on Tethers in Space 1986 arlin? Paul Penzo? Giuseppe Colombo? AmerAstronauticalSociety? IvanBekey? LucianoGuerriero? PeterM.Bainum? Nasa? Aiaa? PsnInternationalConferenceonTethersinSpace1986arlin? PaulPenzo? GiuseppeColombo? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Low Gravity Sciences Univelt? Jean N. Koster? Univelt? JeanN.Koster? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics, 1987 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August 10-13, 1987, Kalispell, Montana (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Mont.) Aiaa Astrodynamics Conference (1987 Kalispell? Arun K. Misra? Robert E. Lindberg? Walton Williamson? John K. Soldner? AmerAstronauticalSociety? Aas? Mont.)AiaaAstrodynamicsConference(1987Kalispell? ArunK.Misra? RobertE.Lindberg? WaltonWilliamson? JohnK.Soldner? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Technology and the Civil Future in Space 26th Goddard Memorial Symposium (Science and Technology Series) Amer Astronautical Society? Leonard A. Harris? AmerAstronauticalSociety? LeonardA.Harris? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Case for Mars III Strategies for Exploration General Interest and Overview (Science and Technology Series) Amer Astronautical Society? Carol R. Stoker? AmerAstronauticalSociety? CarolR.Stoker? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Mars? Orbital Mechanics and Mission Design Proceedings of an Aas/Nasa International Symposium, Held April 24-27, 1989, at Nasa Goddard Space Flight Center, Greenbelt, Maryland (Advances in the Astronautical Sciences) Amer Astronautical Society? Jerome Teles? AmerAstronauticalSociety? JeromeTeles? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General 21st Century in Space (Advances in the Astronautical Sciences) Amer Astronautical Society? Mo.) Aas Conference 1988 (Saint Louis? George V. Butler? AmerAstronauticalSociety? Mo.)AasConference1988(SaintLouis? GeorgeV.Butler? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics, 1989 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August 7-10, 1989, Stowe, Vermont (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Vermont) Aiaa Astrodynamics Conference (1989 Stowe? Catherine L. Thornton? Aiaa Astrodynamics Conference? American Astronautical Society? American Institute of Aeronautics and Astronautics? AmerAstronauticalSociety? Aas? Vermont)AiaaAstrodynamicsConference(1989Stowe? CatherineL.Thornton? AiaaAstrodynamicsConference? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Space Utilization and Applications in the Pacific Proceedings of the Third Pacific Basin International Symposium on Advances in Space Science Technology and Its Applications (Pissta) Held November (Advances in the Astronautical Sciences) Amer Astronautical Society? Pacific Basin International Symposium on Advances in Space Science tec? Peter M. Bainum? American Astronautical Society? AmerAstronauticalSociety? PacificBasinInternationalSymposiumonAdvancesinSpaceSciencetec? PeterM.Bainum? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Prospects for Interstellar Travel (Science and Technology Series) Univelt? John H. Mauldin? Univelt? JohnH.Mauldin? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Astrodynamics 1991 Advances in the Astronautical Sciences, Vol 76, Parts 1, 2, 3 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? Colo.) Aiaa Astrodynamics Conference (1991 Durango? Bernard Kaufman? K. Terry Alfriend? American Astronautical Society? American Institute of Aeronautics and Astronautics? AmerAstronauticalSociety? Aas? Colo.)AiaaAstrodynamicsConference(1991Durango? BernardKaufman? K.TerryAlfriend? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? International Space Year in the Pacific Basin Proceedings of the Fourth International Space Conference of Pacific-Basin Societies (Iscops, Formerly Pissta) Held November 17-20, 1991, Kyoto, Japan (Advances in the Astronautical Sciences) Amer Astronautical Society? International Space Conference of Pacific-Basin Societies 1991 Kyoto? Gayle L. May? Makoto Nagatomo? Yoshiaiki Ohkami? Peter M. Bainum? American Astronautical Society? AmerAstronauticalSociety? InternationalSpaceConferenceofPacific-BasinSocieties1991Kyoto? GayleL.May? MakotoNagatomo? YoshiaikiOhkami? PeterM.Bainum? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Humans and Machines in Space The Vision, the Challenge, the Payoff 29th Goddard Memorial Symposium (Science and Technology Series) Amer Astronautical Society? Bradley Johnson? Gayle L. May? Paula Korn? AmerAstronauticalSociety? BradleyJohnson? GayleL.May? PaulaKorn? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Dynamics of Space Tether Systems (Advances in the Astronautical Sciences) Amer Astronautical Society? Vladimir V. Beletsky? Evgenii M. Levin? American Astronautical Society? AmerAstronauticalSociety? VladimirV.Beletsky? EvgeniiM.Levin? AmericanAstronauticalSociety? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Spaceflight Dynamics 1993 Proceedings of an Aas/Nasa International Symposium Held April 26-30, 1993, Greenbelt, Maryland (Advances in the Astronautical Sciences) Univelt? Jerome Teles? Aas? American Astronautical Society? Gsfc International Symposium on Space Flight Dynamics? Mina V. Samii? Univelt? JeromeTeles? Aas? AmericanAstronauticalSociety? GsfcInternationalSymposiumonSpaceFlightDynamics? MinaV.Samii? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics, 1993 Proceedings of the Aas/Aiaa Astrodynamics Conference Held August 16-19, 1993, Victoria, British Columbia, Canada (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? B. C.) Aiaa Astrodynamics Conference (1993 Victoria? Vinod J. Modi? Richard Holdaway? Peter M. Bainum? Arun K. Misra? American Astronautical Society? American Institute of Aeronautics and Astronautics? AmerAstronauticalSociety? Aas? B.C.)AiaaAstrodynamicsConference(1993Victoria? VinodJ.Modi? RichardHoldaway? PeterM.Bainum? ArunK.Misra? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Astrodynamics 1995 Proceedings of the Aas/Aiaa Astrodynamics Conference Held February 14-17, 1995, Halifax, Nova Scotia, Canada (Advances in the Astronautical Sciences) Amer Astronautical Society? Aas? N. S.) Aiaa Astrodynamics Conference (1995 Halifax? K. Terry Alfriend? American Astronautical Society? American Institute of Aeronautics and Astronautics? Ronald J. Proulx? AmerAstronauticalSociety? Aas? N.S.)AiaaAstrodynamicsConference(1995Halifax? K.TerryAlfriend? AmericanAstronauticalSociety? AmericanInstituteofAeronauticsandAstronautics? RonaldJ.Proulx? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Strengthening Cooperation in the 21st Century Proceedings of the 6th International Space Conference of Pacific Basin Societies (ISCOPS, formerly PISSTA) held December 6-8, 1995, Marina Del Rey, Ca (Advances in the Astronautical Sciences) Amer Astronautical Society? Peter M. Bainum? Gayle L. May? Yoshiaiki Ohkami? Kuninori T. Uesugi? AmerAstronauticalSociety? PeterM.Bainum? GayleL.May? YoshiaikiOhkami? KuninoriT.Uesugi? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Safety and Rescue 1994 Proceedings of a Symposium of the International Academy of Astronautics Held in Conjunction With the 45th International Astronautical Federation (Science and Technology Series) Amer Astronautical Society? Israel) Space Safety and Rescue Symposium 1994 (Jerusalem? American Astronautical Society? International Academy of Astronautics? israe International Astronautical Federation Congress 1994 Jerusalem? Gloria W. Heath? AmerAstronauticalSociety? Israel)SpaceSafetyandRescueSymposium1994(Jerusalem? AmericanAstronauticalSociety? InternationalAcademyofAstronautics? israeInternationalAstronauticalFederationCongress1994Jerusalem? GloriaW.Heath? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Case for Mars Iv Mission Strategy and Architectures The International Exploration of Mars--Mission Strategy and Architectures Proceedings of the Fourth Case for Mars Conference Held June 4-8, 1990, at (Science and Technology Series) Amer Astronautical Society? Case for Mars Conference 1990 (University of Colorado)? Thomas R. Meyer? AmerAstronauticalSociety? CaseforMarsConference1990(UniversityofColorado)? ThomasR.Meyer? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Subjects-Science-Astronomy-Mars? Case for Mars Iv Considerations for Sending Humans The International Exploration of Mars--Consideration for Sending Humans Proceedings of the Fourth Case for Mars Conference Held June 4-8, 1990, at (Science and Technology Series) Amer Astronautical Society? Case for Mars Conference 1990 (University of Colorado)? Thomas R. Meyer? AmerAstronauticalSociety? CaseforMarsConference1990(UniversityofColorado)? ThomasR.Meyer? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Mars? From Imagination to Reality Mars Exploration Studies of the Journal of the British Interplanetary Society Base Building, Colonization and Terraformation (Science and Technology Series) Amer Astronautical Society? American Astronautical Society? British Interplanetary Society? Robert M. Zubrin? AmerAstronauticalSociety? AmericanAstronauticalSociety? BritishInterplanetarySociety? RobertM.Zubrin? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Mars? Space Cooperation into the 21st Century 7th Iscops Nagasaki July 15-18 1997 (Advances in the Astronautical Sciences) Univelt? John E. Cochran? Univelt? JohnE.Cochran? ジャンル別? Substores-UnknownASINs-27? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General History of Rocketry and Astronautics Proceedings of the Twenty-Seventh History Symposium of the International Academy of Astronautics Graz, Austria, 1993 (Aas History Series) Amer Astronautical Society? Philippe Jung? History Symposium of the International A? AmerAstronauticalSociety? PhilippeJung? HistorySymposiumoftheInternationalA? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Space Safety and Rescue 1997 Proceedings of a Symposium of the International Academy of Astronautics Held in Conjunction With the 48th International Astronautical Federation (Science and Technology Series) Amer Astronautical Society? Italy) Space Safety & Rescue Symposium 1997 (Turin? Italy) International Astronautical Congress 1997 (Turin? American Astronautical Society? International Academy of Astronautics? Gloria W. Heath? AmerAstronauticalSociety? Italy)SpaceSafety&RescueSymposium1997(Turin? Italy)InternationalAstronauticalCongress1997(Turin? AmericanAstronauticalSociety? InternationalAcademyofAstronautics? GloriaW.Heath? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Astronomy-Aeronautics&Astronautics? Guidance and Control 1999 Amer Astronautical Society? Robert D. Culp? 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Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Conservation? Cultivating Biodiversity Understanding, Analysing and Using Agricultural Diversity ITDG Publishing? Harold Brookfield? Christine Padoch? Helen Parsons? Michael A. Stocking? ITDGPublishing? HaroldBrookfield? ChristinePadoch? HelenParsons? MichaelA.Stocking? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SustainableAgriculture? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-TropicalAgriculture? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-SustainableAgriculture? Subjects-Science-AgriculturalSciences-TropicalAgriculture? Setting Up a Food Drying Business A Step by Step Guide ITDG Publishing? Fabrice Thuillier? Maighread Holland? ITDGPublishing? FabriceThuillier? MaighreadHolland? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-FoodScience? Electricity in Households and Microenterprises (Energy and Environment Technology Source Books Series) ITDG Publishing? Joy Clancy? Lucy Rebedy? ITDGPublishing? JoyClancy? LucyRebedy? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-PowerSystems? Subjects-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-PowerSystems? Subjects-Professional&Technical-Law-PerspectivesonLaw-Non-USLegalSystems? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Timber Pole Construction An Introduction ITDG Publishing? Lionel Jayanetti? Paul Follett? ITDGPublishing? LionelJayanetti? PaulFollett? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Wood? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Wood? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Small-Scale Food Processing A Directory of Equipment and Methods ITDG Publishing? Sue Azam-Ali? Sue Azam Ali? Mike Battcock? Peter Fellows? Emma Judge? ITDGPublishing? SueAzam-Ali? SueAzamAli? MikeBattcock? PeterFellows? EmmaJudge? ユーズドブック(洋書)-Cooking,Food&Wine? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-General? Subjects-Cooking,Food&Wine-Canning&Preserving? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Subjects-Reference-Catalogs&Directories-Directories? Subjects-Science-General Subjects-Science-AgriculturalSciences-Agronomy? Subjects-Science-AgriculturalSciences-FoodScience? Encouraging Diversity The Conservation and Development of Plant Genetic Resources ITDG Publishing? Connie Almekinder? Walter De Boef? ITDGPublishing? ConnieAlmekinder? WalterDeBoef? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Aquaculture? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Evolution-Genetics? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Botany-Genetics? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-CropScience? Subjects-Science-AgriculturalSciences-Biotechnology? Hands on Food, Water and Finance Practical Innovations for a Sustainable World (Hands on Series) ITDG Publishing? Emma Judge? ITDGPublishing? EmmaJudge? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture? Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Aquaculture? Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? Subjects-Science-Nature&Ecology-Environment? Drying Food for Profit A Guide for Small Businesses ITDG Publishing? Barrie Axtell? Andrew Russell? ITDGPublishing? BarrieAxtell? AndrewRussell? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-General Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Ethnoveterinary Medicine An Annotated Bibliography of Community Animal Healthcare ITDG Publishing? Marina Martin? Evelyn Mathias? Constance M. McCorkle? ITDGPublishing? MarinaMartin? EvelynMathias? ConstanceM.McCorkle? ユーズドブック(洋書)-Medicine? Subjects-Medicine-VeterinaryMedicine-General? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Professional&Technical-Medical-VeterinaryMedicine-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Medicine? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Agriculture? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-General? Subjects-Science-Medicine-VeterinaryMedicine-General? Food Security in Sub-Saharan Africa ITDG Publishing? Stephen Devereux? Simon Maxwell? ITDGPublishing? StephenDevereux? SimonMaxwell? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Agriculture? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofAgriculture? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Agronomy? Subjects-Science-AgriculturalSciences-FoodScience? Beating Hunger, the Chivi Experience A Community-Based Approach to Food Security in Zimbabwe ITDG Publishing? Ian Scoones? Kuda Murwira? Cathy Watson? Everjoice J. Win? Clare Tawney? Helen Wedgwood? ITDGPublishing? IanScoones? KudaMurwira? CathyWatson? EverjoiceJ.Win? ClareTawney? HelenWedgwood? Subjects-Business&Investing-Economics-SustainableDevelopment? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-Agricultural? Subjects-Nonfiction-SocialSciences-SocialWork? Subjects-Nonfiction-Economics-SustainableDevelopment? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-Agricultural? Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofAgriculture? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Science-AgriculturalSciences-Economics? Brick by Brick Participatory Technology Development in Brickmaking ITDG Publishing? Kelvin Mason? ITDGPublishing? KelvinMason? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Engineering-Civil-Construction-Materials? Subjects-Engineering-Civil-Construction-General? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-Civil-Construction-Materials? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-General Subjects-Science-Technology-TechnologyTransfer? Cover Crops and Smallholder Agriculture Lessons from Latin America ITDG Publishing? Simon Anderson? Sabine Guendel? Barry Pound? Bernard Triomphe? ITDGPublishing? SimonAnderson? SabineGuendel? BarryPound? BernardTriomphe? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-Agricultural? Subjects-Nonfiction-Economics-Agricultural? Subjects-Outdoors&Nature-Conservation-General? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Professional&Technical-Accounting&Finance-Economics-Agricultural? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Agronomy? Subjects-Science-AgriculturalSciences-CropScience? Subjects-Science-AgriculturalSciences-Economics? Workshop Equipment Manuals ITDG Publishing? Itp? ITDGPublishing? Itp? ユーズドブック(洋書)-Engineering Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Small Wind Systems for Rural Energy Services ITDG Publishing? Smail Khennas? Simon Dunnett? Hugh Piggott? Intermediate Technology Development Group? ITDGPublishing? SmailKhennas? SimonDunnett? HughPiggott? IntermediateTechnologyDevelopmentGroup? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-38? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Science-General Subjects-Science-Physics-Energy? Subjects-Science-Technology-RenewableEnergy? Appropriate Food Packaging Materials and Methods for Small Businesses ITDG Publishing? Peter Fellows? B. L. Axtell? ITDGPublishing? PeterFellows? B.L.Axtell? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Pumps As Turbines A Users Guide ITDG Publishing? Arthur Williams? ITDGPublishing? ArthurWilliams? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-38? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General A Farmers' Jury The Future of Smallholder Agriculture in Zimbabwe (ITDG Working Papers) ITDG Publishing? Stuart A. Coupe? Jon Hellin? Absolom Masendeke? Elijah Rusike? ITDGPublishing? StuartA.Coupe? JonHellin? AbsolomMasendeke? ElijahRusike? Substores-UnknownASINs-65? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-General? Food Technology Source Books Set (Food Techology Source Book Series (Unifem)) Intermediate Technology? Fernand Vincent? IntermediateTechnology? FernandVincent? Subjects-Science-General Subjects-Science-AgriculturalSciences-FoodScience? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Advances in Developmental Biochemistry A Research Annual (Advances in Developmental Biochemistry) Elsevier Science Ltd? Paul M. Wassarman? ElsevierScienceLtd? PaulM.Wassarman? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-DevelopmentalBiology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MolecularBiology? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-CellBiology? Subjects-Science-BiologicalSciences-Biology-DevelopmentalBiology? Developing Groundwater A Guide For Rural Water Supply ITDG Publishing? Alan MacDonald? Jeff Davies? Roger Calow? John Chilton? ITDGPublishing? AlanMacDonald? JeffDavies? RogerCalow? JohnChilton? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Engineering-ComputerTechnology-Holography? Subjects-Engineering-Electrical&Electronics-Optics? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-ComputerTechnology-Holography? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-WaterSupply? Planning Settlements Naturally Antique Collectors Club Ltd? Stephen Owen? AntiqueCollectorsClubLtd? StephenOwen? ユーズドブック(洋書)-Outdoors&Nature Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-Urban&LandUsePlanning? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-Urban&LandUsePlanning? Subjects-Science-General The Visible College A Collective Biography of British Scientists and Socialists of the 1930s Free Assn Books? Gary Werskey? FreeAssnBooks? GaryWerskey? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-PoliticalDoctrines-Socialism? Subjects-Science-General Behind the Silicon Curtain Free Association Books? Dennis Hayes? FreeAssociationBooks? DennisHayes? undefined undefined Relearning Mathematics A Different Third R-Radical Math (S) Free Assn Books? Marilyn Frankenstein? FreeAssnBooks? MarilynFrankenstein? Substores-UnknownASINs-38? Subjects-Science-General Subjects-Science-Mathematics-General? Inhibition History and Meaning in the Sciences of Mind and Brain Free Assn Books? Roger Smith? FreeAssnBooks? RogerSmith? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-BehavioralSciences-BehavioralPsychology? Subjects-Science-BiologicalSciences-Anatomy? Unbounded Consciousness Qualia, Mind and Self Free Assn Books? M. Singer? FreeAssnBooks? M.Singer? Subjects-Nonfiction-Philosophy-General? Subjects-Science-General Subjects-Science-BiologicalSciences-Anatomy? Substores-UnknownASINs-jp-unknown3? Unbounded Consciousness Qualia Mind and Self Free Assn Books? M. Singer? FreeAssnBooks? M.Singer? Subjects-Nonfiction-Philosophy-General? Subjects-Science-General Subjects-Science-BiologicalSciences-Anatomy? Farmer and the Obstetrician Free Assn Books? Michel Odent? FreeAssnBooks? MichelOdent? ユーズドブック(洋書)-Medicine? Subjects-Literature&Fiction-General-Contemporary? Subjects-Medicine-Specialties-Obstetrics&Gynecology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Medicine-Specialties-Obstetrics&Gynecology? Problem Solving in Science and Technology Extending Good Classroom Practice (Roehampton Teaching Studies) David Fulton Pub? Roehampton Institute? Mike Watts? Mike Wass? DavidFultonPub? RoehamptonInstitute? MikeWatts? MikeWass? ユーズドブック(洋書)-Teens? Substores-UnknownASINs-38? Subjects-Children sBooks-Animals-Pets? Subjects-Children sBooks-Science,Nature&HowItWorks? Subjects-History-Europe-England-General? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Teens-Science&Technology-General? Cities in Space, City As Place David Fulton Pub? David T. Herbert? Colin J. Thomas? DavidFultonPub? DavidT.Herbert? ColinJ.Thomas? Substores-UnknownASINs-38? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Nonfiction-SocialSciences-Sociology-Rural? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Science-EarthSciences-Geography-General? Subjects-Science-General Progression in Primary Design and Technology David Fulton Pub? Christine Bold? DavidFultonPub? ChristineBold? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-ElementarySchool-General? Subjects-Nonfiction-Education-Preschool&Kindergarten? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-ByLevel-Preschool&Kindergarten? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-General Subjects-Science-Technology? Advances in Developmental Biology (Advances in Developmental Biology) Elsevier Science Ltd? Paul M. Wassarman? ElsevierScienceLtd? PaulM.Wassarman? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-DevelopmentalBiology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MolecularBiology? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-DevelopmentalBiology? Access to Science Curriculum Planning and Practical Activities for Pupils With Learning Difficulties (Access to the Curriculum) David Fulton Pub? Claire Marvin? Chris Stokoe? DavidFultonPub? ClaireMarvin? ChrisStokoe? Subjects-Children sBooks-Science,Nature&HowItWorks? Subjects-Nonfiction-Education-Curricula? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Nonfiction-Education-SpecialEducation-LearningDisabled? Subjects-Nonfiction-Education-LessonPlanning? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-LessonPlanning? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Professional&Technical-Education-SpecialEducation-LearningDisabled? Subjects-Professional&Technical-Education-Curricula? Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? Subjects-Science-General Trees and Plants (Creative Science Activity Packs) David Fulton Pub? G. Alan Revill? DavidFultonPub? G.AlanRevill? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space? Subjects-Children sBooks-Science,Nature&HowItWorks-Botany? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Science-General Subjects-Science-BiologicalSciences-Botany-General? Minibeasts The World of Invertebrates and Insects (Creative Science Activitypacks) David Fulton Pub? G. Alan Revill? DavidFultonPub? G.AlanRevill? Subjects-Children sBooks-Science,Nature&HowItWorks-Biology? Subjects-Children sBooks-Science,Nature&HowItWorks-Zoology? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Science-General Teaching Science to Language Minority Students Theory and Practice (Bilingual Education and Bilingualism, No 3) Multilingual Matters? Judith W. Rosenthal? MultilingualMatters? JudithW.Rosenthal? Subjects-Nonfiction-Education-College&University-General? 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第３場 （会場設営が終了すると舞台は次のような形になっている。まず舞台右側では、背もたれ付きのベンチが並べられ、やや半円状に中央に向けて並べられている。舞台中央、ベンチの途切れる所には、先ほど組み立てられた「審査席」と呼ばれる足場がある。舞台左側には、高い背もたれの教会風の椅子（「歌手の椅子」）が、聴衆に向かい合うように置かれている。舞台後方には、大きなカーテンに沿って、徒弟用の長くて低いベンチが一つだけ置かれている。ヴァルターは、若者たちの嘲ける声にうんざりしたように、ベンチの最前列に腰掛けたところである。ポーグナーとベックメッサーは、言葉を交わしながら祭具室から出てくる。徒弟たちはベンチの最後列に起立して、うやうやしく彼らを待っているので、初めから祭具室の入口で彼らを出迎えるのはダーフィトのみである） ポーグナー （ベックメッサーに） 私の誠意をお疑いなきように。 これはあなたにとって有利な決定なのです。 歌合戦となれば、勝者はあなたとなるはず。 あなたほどのマイスターを誰が阻むと言うのでしょう？ ベックメッサー ですが、先ほどの論点を忘れてはなりませんぞ。 それこそが、この私を憂慮させているのです。 仮にエーファどのの意向で求婚者を拒否できるとなれば、 私のマイスターとしての威光など何の役に立ちましょう？ ポーグナー これはなんと！愚考するに、それこそ何にも増して、 あなたにとっての一大事。 あなたが我が娘の意向を曲げられないとなれば、 どうして娘と契りを結べるはずがありましょう？ ベックメッサー はいはい！そうですとも！だからこそ頼んでいるのです。 あなたが私に有利なよう娘さんに口添えし、 いかにこのベックメッサーが、心細やかに誠実に求婚しているか、またあなたを尊重しているかを伝えてほしいのです。 ポーグナー 喜んでいたしますとも。 ベックメッサー （独り言で） 譲歩してくれない！ どうすれば最悪の事態を避けられるだろう？ ヴァルター （ポーグナーに気付き、立ち上がって出迎えに行き、目の前でお辞儀をする） 失礼をば！親方様！ ポーグナー 何と！騎士殿ではありませんか？ 我が「歌学校」の見学にいらしたのですかな？ （二人は挨拶を交わす） ベックメッサー （相変わらず独り言を続けている） 女に何が分かると言うのだ！女にとっては、 くだらないホラ話のほうが、詩学よりも価値が高いときている。（うんざりしたように舞台後方を行きつ戻りつする） ヴァルター まさに打ってつけの場所にたどり着きました。 率直に申し上げますと、 国を出て、このニュルンベルクへと私を駆り立てたものは、 ひとえに芸術に対する愛情だったのです。 昨日はあなたに申し上げるのを忘れておりましたが、 今日はあえてはっきりと申し上げずにはいられません。 私はマイスタージンガーになりたいのです。 （きわめて切実な思いを込めて） 親方様！私を貴殿の組合の一員としてください！ （クンツ・フォーゲルゲザンクとコンラート・ナハティガルが 入ってくる） ポーグナー （入って来た二人に向かって嬉しそうに） クンツ・フォーゲルゲザンクよ！我が友ナハティガルよ！ 聞いてください！全くもって珍しいことです！ これなる私の知人の騎士殿は、 マイスター芸術に造詣が深いと言うのです。 （互いの紹介と挨拶のうちに、他のマイスター達も入場してくる） ベックメッサー （再び舞台前面に進み出て、独り言で） もう一押ししてみるか。 だが、それもうまく行かぬのなら、 あの娘の心を歌で奪ってみてもいいな。 静かな夜、あの娘にだけ聞こえるようにすれば、 私の歌になびくかどうか確かめられるはずだ。 （ヴァルターの姿に気付いて） 誰だ？あの男は？ ポーグナー （きわめて温かく、ヴァルターに話し続ける） 私がどんなに嬉しいか、お分かりでしょうか！ まるで古き良き時代が還ってきたようです。 ベックメッサー 気に入らん若造だ！ ポーグナー 騎士殿のお望みならば… ベックメッサー 何が狙いなんだ？ ポーグナー 私のできる限り… ベックメッサー あんなにでれっと見つめやがって！ ポーグナー 何でも叶えて差し上げましょう。 ご領地の売却の際、喜んでお手伝いしたのと同様に、 ベックメッサー さあ！ジクストゥス！ ポーグナー 組合にも喜んでお迎えいたしましょう。 ベックメッサー この男に気を付けるのだ！ ヴァルター 心からのご厚意、ありがとうございます！ ですがもし希望を申し上げて宜しければ、私が賞を勝ち取り、 マイスタージンガーとなることは、今日にも可能でしょうか？ ベックメッサー 何だと！これは謙虚なことで！円錐を逆さに立てるつもりか！ ポーグナー 騎士殿、そのことなら、しきたりに従うのがよろしいでしょう。ですが本日は資格試験ですから、 私があなたを推挙いたしましょう。 私の言うことなら、マイスター達も喜んで耳を貸してくれるはずです。 （マイスタージンガー達が全員到着し、最後にハンス・ザックスが現れる） ザックス こんにちは。マイスターの皆さん！ フォーゲルゲザンク 一同揃いましたかな？ ベックメッサー ザックス殿もおりますからな！ ナハティガル 点呼してごらんなさい！ コートナー （名簿を取り出し、舞台の袖に立つと、大声で呼ばわる） 資格試験と組合会議に、 マイスターの皆様は召集されております。 新参のこの私が、どなた様がいらっしゃったかを、 お名前で呼ばわりましょう。 かく言う私は、フリッツ・コートナー。 ご出席ですか、ファイト・ポーグナーは？ ポーグナー 手前にてございます。 （着席する） コートナー クンツ・フォーゲルゲザンクは？ フォーゲルゲザンク １名にて。 （着席する） コートナー ヘルマン・オルテルは？ オルテル いつでも、おるよ。 （着席する） コートナー バルタザール・ツォルンは？ ツォルン 無欠勤ですとも。 （着席する） コートナー コンラート・ナハティガルは？ ナハティガル ナハティガル（夜鳴き鶯）の習性通りです。 （着席する） コートナー アウグスティン・モーザーは？ モーザー 欠席は嫌いです。 （着席する） コートナー ニクラウス・フォーゲルは？…返事無しですかな？ １人の徒弟 （ベンチから立ち上がって） 病気でございます。 コートナー マイスターのご快癒を！ マイスターたち （コートナーを除いて声を揃えて） お大事にどうぞ！ その徒弟 有難うございます！ （着席する） コートナー ハンス・ザックスは？ ダーフィト （機先を制するように立ち上がり、ザックスを指差して） あちらに！ ザックス （ダーフィトを脅しつけるように） お前、また殴られたいのか？ お許しを！マイスター方！ザックス出席でございます。 （着席する） コートナー ジクストゥス・ベックメッサーは？ ベックメッサー はなからザックスとともに。 （着席しながら） 「花咲き育ちゆく」の韻を学んでおりますからには。 （ザックスは声を立てて笑う） コートナー ウルリヒ・アイスリンガーは？ アイスリンガー ここに。 （着席する） コートナー ハンス・フォルツは？ フォルツ おります。 （着席する） コートナー ハンス・シュヴァルツは？ シュヴァルツ ようやく、しんがりですな。 やれやれ！ （着席する） コートナー 会議の定足数は満たしております。 よろしければ、審判の選挙に移りましょうか？ フォーゲルゲザンク 祭りの後でも良いではないか。 ベックメッサー お急ぎの理由でも？ 私は何ら審判の地位にこだわりませんが。 ポーグナー マイスターの皆様！今はその件はおいておきましょう。 私は重要な動議を提出させていただきたいのです。 （マイスター達は全員立ち上がり、コートナーにうなずきかけると、再び腰を下ろす） コートナー 採択されました。マイスターよ、お話し下さい！ ポーグナー では、私の話をよくお聞きください！ 皆様もご存知の通り、明日私達は、 美しきヨハネの祭日を祝うことになります。 緑の沃野に、花咲く丘に、 人々が踊り戯れ、楽しき宴が開かれ、 愉快さに胸をはずませ、 心を塞ぐ事も忘れて、 誰もが思い思いに楽しむことでしょう。 マイスター達でさえ、教会の歌学校で見せていた しかめっ面を脱ぎ捨てます。 ラララと楽音を奏でながら市門を出て、 広い野原を渡り、 晴れやかな祝祭のざわめきと一つになり、 一般民衆の耳をもそばだてる 世俗の歌を歌って聞かせるのです。 歌合戦への懸賞歌には、 優勝者のための賞が設けられ、 その賞も、その際に歌われた節回しも、 人々から末永く称えられるのです。 さて、私は今、神の思し召しにより、大きな富を得たからには、誰もが分に応じてするように、 自分に何ができるかを思いめぐらさずにはいられませんでした。世の恥さらしとならぬためには、 私はどんな貢献をすれば良いのかと。 では、お聞きください…私が何を思い付いたか。 ドイツの諸国を旅するごとに、 私が幾度となく失望させられたのは、 人々が市民というものを見下し、 ケチで閉鎖的だと悪口を叩いていることでした。 宮廷でも、庶民の暮らす場所でも、 私がイヤというほど味わったのは、 市民の頭の中は、がめつい取引や金のことばかりだという 手厳しい非難の嵐だったのです。 それゆえ、この広大なドイツ帝国において 芸術を保護しているのは、独り我らのみだということなど、 ほとんど彼らの念頭にはありません。 さればこそ私は、我らこそが栄誉にふさわしいこと、 また、我らが高貴なる志を抱いて、 美なるもの、善なるものを評価していること、 そして、芸術こそが美と善にふさわしい価値を持つことを、 世に明らかにせんと欲したのです。 ゆえに、マイスターの皆様… 私が賞として考えた贈り物を聞いてください。 聖ヨハネの祭日に、 全ての民衆を前にして、 芸術歌唱の賞を勝ち取った優勝者には、 その者が誰であろうとも、 芸術愛好家である ニュルンベルクのファイト・ポーグナーは、 あらん限りの私の財産とともに、 一人娘エーファを娶わせるつもりなのです。 マイスターたち （立ち上がり、きわめて活発に、口々に叫ぶ） これぞ男子の一言というものだ！ 見るがいい、ニュルンベルクっ子ここにあり！ あまねく広くあなたは賞賛を受けますぞ、 勇気ある市民、ポーグナー・ファイトよ！ 徒弟たち （陽気に飛び跳ねながら） いつまでも、あまねく広く称えられよ！ ポーグナー・ファイト！ポーグナー・ファイト！ フォーゲルゲザンク もう誰も独身を嫌がらないのでは？ ザックス 妻を捨てても…とまで思いつめる輩も出そうですな！ コートナー さあ、独身者よ！ここは一つ挑戦ですぞ！ ポーグナー お聞きください…もう一つ重大な話が残っているのです！ （マイスター達が次第に腰を下ろすと、徒弟たちも同様に着席する） 私が提供する贈り物は、命無き物体ではありません。 ゆえに、審判の場には、娘も同席するものといたします。 賞の判定は、マイスター組合が行いますが、 こと結婚に関しては、理性の声に従い、 マイスターの方々の協議結果に対して、 花嫁が決定権を持つことといたします。 ベックメッサー （コートナーの方を向いて） はてさて、これは賢明と言えましょうかね？ コートナー （大声で） 私の理解が正しければ、 あなたは我々を娘さんの傘下に置こうというわけですか？ ベックメッサー なんと危険な！ コートナー 仮に娘さんの同意が得られなければ、 マイスターの下した判断に傷が付いてしまいませんか？ ベックメッサー それぐらいなら、娘さんの心のままに決めてもらって、 あえてマイスター歌唱と絡めずとも良いでしょう！ ポーグナー とんでもない！どうしてそうなるのです？よく聞いてください！あなた方マイスターが決めた受賞者を、 私の娘は拒むことができますが、 他の誰かを望むことはできないのです。 受賞者はマイスタージンガーでなければなりません… あなた方が栄冠を与えた者に、娘は嫁ぐ定めなのです。 ザックス （立ち上がって） 失礼をば！ あるいは、いささか議論が先走っているように存じます。 乙女の心と、マイスター芸術とは、 いつも同じ熱意に満たされているとは限りません。 思うに、女性の気持ちとは、特に学識を積まぬものであれば、 民衆の気持ちと同等の価値があるものです。 あなた方は、いかに高く芸術を崇めているかを 民衆の目の前で示そうとおっしゃる。 そして、あの娘に選択権は与えるけれど、 あの娘が決定を覆すのは望まないとおっしゃる。 それなら、民衆も審判として加えてみてはいかがでしょう？民衆の意見は、あの娘の意見と、きっと一致するでしょうから。 フォーゲルゲザンク、ナハティガル 何と！ 全てのマイスター （ザックスとポーグナーを除いて） 民衆だって？これは何とも結構なことで！そんなことをすれば、芸術もマイスターの調べも、おしまいだ！ コートナー いかんぞ！ザックス！明らかな暴論だ。 民衆に規則を譲り渡すようなものではないか？ ザックス よくお聞きください！いつも通りに！ 僭越ながら、私は規則を良く存じております。 我が組合の規則が守られるよう、 何年も努力を重ねて来たのは、この私自身です。 しかし、今回に関しては賢明なやり方と考えます… 年に一度、その規則自体を点検し、 習慣という名の怠惰なレールに乗って、 規則本来の生命力が失われていないか見直すことは。 あなた方が自然に則った正しい道を 歩んでいるのか告げるのは、 難解な規則表など何一つ知らない者だけなのです。 （徒弟たちは飛び上がって喜んで、歓迎の揉み手をする） ベックメッサー へっ！徒弟たちが喜んでやがる！ ザックス （熱を帯びて話し続ける） ですから、後悔するようなことはないでしょう。 毎年、聖ヨハネの祝祭日には、 民衆をこちらに来させる代わりに、 あなた方ご自身が、マイスターの雲の高みから降りて行き、 民衆に顔向けするとしても。 あなた方が民衆に気に入られることを望むなら、 何よりも必要なことは、 どうすれば楽しく感じられるかを、 当の民衆自身に語ってもらうことです。 民衆と芸術とが「共に花咲き育ちゆく」ことこそ、 あなた方の望みだと、私、ハンス・ザックスは思量しますが。 フォーゲルゲザンク 言っていることは確かに立派だが！ コートナー だが、だからこそ、怪しいのだ。 ナハティガル 民衆が口出しするぐらいなら、もう口を利くまい。 コートナー 芸術は常に没落と恥辱の危険にさらされることになるぞ。 民衆の人気を追い求めるようになれば。 ベックメッサー すでに手広くやっておられるお方は不遜極まりないですな。 街の流行歌もどっさり作っておいでだ。 ポーグナー ザックス殿…私の発言でさえ、すでに新しい提案なのです。 いちどきに二兎を追うことは悔いを残しましょう。 （ポーグナーはマイスター達の方を向く） お諮りします…私の提案した賞と規則を、 マイスターの皆様はご了承いただけますか？ （マイスター達は起立して同意を示す） ザックス 私とて、娘さんに決定権さえ残れば、それで充分です。 ベックメッサー 靴屋め…いつも俺をムカムカさせやがる！ コートナー 誰が志願者として手を上げるのでしょうなあ？ ここはぜひとも若者でなくてはなりますまい。 ベックメッサー 男やもめでも良いのでは？ザックスに聞いてごらんなさい！ ザックス とんでもない、審判殿！ 志願者は、あなたや私よりもずっと若い人でなくては。 エーファさんが賞を与えるのですからな。 ベックメッサー 私まであなたと一緒にする気ですか？何と無礼な！ コートナー 資格試験を希望する方は、すぐに参られよ！ どなたかご希望の方はおられぬか？ ポーグナー さあ、マイスターの皆様！議事に戻りましょう！ 私から報告があります。 私は、マイスターとしての義務に従い、 年若き騎士を紹介いたします。 この騎士の望みは、人々から選抜され、 今日のうちにもマイスタージンガーとして独り立ちすることです。さあ、我が友、騎士シュトルツィング殿、参られよ！ （ヴァルターは進み出て、お辞儀をする） ベックメッサー （独り言で） ほら、思った通りじゃないか！そこまでやるのか？ファイトよ。（大声で） マイスターの皆様、今日は時間も遅いことですし… シュヴァルツとフォルツ これは喜ぶべきことか？ その他のマイスター しかも騎士だと？ フォーゲルゲザンク、モーザー、アイスリンガー 喜ぶべきことか？ ツォルン、コートナー、ナハティガル、オルテル 危険ではないか？ フォーゲルゲザンク あるいは危険なことか？ 全てのマイスター いずれにせよ、重要なのは、 ポーグナー親方がこの男を推挙したということだ。 コートナー 騎士殿は歓迎するとしても、 まずは身元確認が必要ですな。 ポーグナー どうぞお尋ねください！私はこの方の活躍を願っておりますが、規則をないがしろにする積りは毛頭ありません。 マイスターよ！どうぞご質問を！ コートナー では、騎士殿よ、お答えいただきたい。 あなたは自由民にして、嫡出子ですかな？ ポーグナー そのような問いは無用です。 この私が、あなた方に保証します。 この方は自由民にして、正当な婚姻の子です。 フランケン地方、シュトルツィング家のヴァルター殿として、 私は手紙や文書で、良く存じ上げておるのです。 このお方は、その家系の末裔でありますが、 このたび屋敷や城を手放し、 ニュルンベルクに移り住み、 この地で市民となろうとしているのです。 ベックメッサー また騎士くずれのクズか！ロクなことはない！ ナハティガル ポーグナー殿のお口添えであれば十分です。 ザックス 古くからのマイスター達の定めに従うと、 領主であるか、農民であるかが、決め手ではありません。 マイスタージンガーになりたいのが誰であろうと、 ここで決め手になるのは、芸術のみです。 コートナー では、早速次の質問へ。 あなたが師事したマイスターはどなたですか？ ヴァルター 冬、しんと静まり返った暖炉の傍で、 城も屋敷も、雪に埋もれていた時、 間もなく春が愛らしく笑いかけ、 再び目覚めの時を迎えるだろうと、 私にたびたび教えてくれたのは、 先祖伝来の古い書物でした。 ですから、ヴァルター・フォン・デア・フォーゲルヴァイデ殿こそ、私のマイスターであったのです。 ザックス これは良き師匠を得たものだ！ ベックメッサー だが、とっくの昔に死んだ人間じゃないか。 どうして規則や禁則が学べるというんだ！？ コートナー それにしても、どの学校で、 あなたは歌を習得する機会を得たのです？ ヴァルター 川から氷が溶け去り、 夏の日々が帰って来ると、 かつて長い冬の夜に、 古い書物が教えてくれた知恵が、 森の輝きを浴びて高らかに鳴り響き、 朗らかな歌声となって聞こえてきたのです。 ですから私は、森の鳥たちが集う草原（フォーゲルヴァイデ）で 歌を学んだのです。 ベックメッサー うほっ！スズメやシジュウカラの鳴き声から、 マイスターの歌を習得しただと？ 確かに、そんな歌しか歌えなさそうだ！ フォーゲルゲザンク ですが、２つの詩節をうまくつなぎ合わせましたよ。 ベックメッサー フォーゲルゲザンク親方が誉めるのは、 あなたも同じように鳥から歌を習った口だからですかな？ コートナー マイスターの皆様、いかがです？まだご質問がありますか？ 私見では、この場は騎士殿には場違いに思われるのですが。 ザックス それは間もなく分かることです。 このお方が正しい芸術を身につけて、 それを保持しているのなら、 誰に教わったかなど、どうでも良いことではありませんか？ コートナー （ヴァルターに） ご準備はよろしいでしょうか？ 新たな着想に基づき、 詞も曲も独自なマイスター歌曲を、 今すぐご披露いただけますか？ ヴァルター かつて、冬の夜と森の輝き、 物の本と聖なる森が、私に教えてくれました。 詩人の歌の不思議な力が、 私にひそやかに示してくれました。 武具を付けた馬の蹄の音や、 明るい丘の上での踊りの音が、 私にじっと耳を澄まさせました。 今や一世一代の賞を得るために、 歌を交わそうとする時、 私が生み出す詩と節回しは、 この体から一つの奔流となってほとばしり、 考えうる限りのマイスターの歌として、 あなた方マイスター達の心に注がれるのです。 ベックメッサー 今の言葉の洪水から何か聞き取れましたか？ フォーゲルゲザンク 何とまあ、大胆な！ ナハティガル 奇妙な感じだ！ コートナー では、マイスターの皆様、 よろしければ審判の準備をしましょうか… （ヴァルターに） 騎士殿は、神聖な題材を選ばれるのですか？ ヴァルター 私にとって神聖なのは愛の旗印。 それを振るって、希望に溢れた歌を歌います。 コートナー 当方では、それは世俗の題材です。 では、ベックメッサー名人よ、お入りください！ ベックメッサー （立ち上がり、いかにも嫌そうに審判席へと歩いて行く） つらい仕事だ、特に今日は！ チョークも、いっぱい痛めつけられることじゃろうて。 （ヴァルターにお辞儀をする） 騎士殿、よろしいか… ジクストゥス・ベックメッサーが審判です。 この審判席にて、 無言で厳格に、業務にいそしみます。 間違いは７つまでは許されますので、 チョークでそこに記入します。 ７つを超えて間違った時には、 騎士殿は歌いそこねとなります。 （審判席に腰掛ける） 審判はじっと聞き耳を立てておりますぞ。 とはいえ、審判の姿が目に入って、 気を紛らわさないために、 つまりはあなたを安心させるため、ここに閉じ篭るわけです。 では、神のご加護がありますように。 （嘲るように親しげにうなずきながら首を突き出していたが、審判席を取り囲むカーテンの奥に完全に姿を隠す） コートナー （徒弟たちに合図する。ヴァルターに向かって） あなたの歌の導きの糸とするべく、 規則表からの朗読をお聞きください。 （二人の徒弟が壁にかけてあった「規則要覧」の黒板を取り外し、コートナーの面前に差し出し、 コートナーはそれを読み上げる） 「全てのマイスター歌曲の詩節は、 異なる詩行から成る 規則正しき形を表し、 何人もこれに違反すること許されず。 詩は、同じ旋律を持つ 二つの詩連から構成され、 一つの連は、数行の組み合わせから成り、 その末尾では韻を踏むべし。 詩連の後に続く後楽節は、 同じく数行の詩行から成るも、 先の詩連には無い 独自の旋律を持つべし。 かくの如きまとまりを持つ詩節から、 全てのマイスター歌曲は成る。 また、新たな歌を作る者は、 別のマイスターの節回しを 四音節を超えて使うこと許されず。 かくなる歌こそ、マイスターの賞を得べし。」 （コートナーが返した黒板を、徒弟たちは壁に掛け直す） では、歌唱席にお掛け下さい！ ヴァルター （一瞬怖じ気づきながら） この…椅子にですか？ コートナー 歌学校のしきたりです。 ヴァルター （椅子の壇に上がり、嫌々ながら腰掛ける。独り言で） 愛しい人よ…君のためにこそ！ コートナー （非常に大きな声で） 歌い手が着席します。 ベックメッサー （見えない審判席の中から、甲高い声を張りあげる） 始めよ！ ヴァルター 始めよ！ そう春が森に呼びかけると、 その響きは森の隅々にまで沁み渡る。 遙か彼方でざわめく波のように、 内側から響きがあふれ出る。 音は彼方からふくらみ、 ますます勢いを増すと、 盛り上がり、鳴り響く。 森の隅々にまで、 幾つもの優しい声が満ちていく。 高らかな晴れやかな響きは、すぐそこに近づき、 凄まじいまでに膨れ上がる！ 鐘の音のように、歓喜が響き出す！ するとすぐさま森は、 自らを甦らせた その呼びかけに答える。 「さあ、声を合わせ、歌おう！ 甘美な春の歌を！」と。 (審判席の中から、審判ベックメッサーのうんざりしたような溜息と、チョークを激しくこすりつける音が聞こえてくる。ヴァルターもその音を聞くが、短い中断の後、彼は歌い続ける) 茨の生け垣の奥には、 妬みと恨みに身を焦がす 怒りに満ちた冬が 隠れていたに違いない。 枯れた枝のざわめきの陰で、 冬は覗き見て、聞き耳を立てている。 どうやったら、あの陽気な歌を 台無しにできるだろうかと…。 （ヴァルターは椅子から立ち上がる） だが… 始めよ！ そう胸に呼びかけるものがあったのだ。 それは私が愛をまだ知らなかった時…。 心の奥深く、まるで夢を破るかのように、 動き出すものがあった。 心臓の震える鼓動が 胸を一杯に満たしていった。 全能の力に血潮は沸き立ち、 新たな感情を得てふくらんでいく。 温かな夜に力を得て、 数え切れない溜息が 海の如く、荒々しい歓喜の渦に揉まれていく。 するとすぐさま胸は、 自らを甦らせた その呼びかけに答える。 「さあ、声を合わせ、歌おう！ 気高き愛の歌を！」と。 ベックメッサー （カーテンをがばっと開けて） これで終わりですかな？ ヴァルター なぜです？ ベックメッサー 黒板の方は、もう終わりかけてるんでね。 （ベックメッサーがチョークの線でいっぱいになった黒板を取り出すと、マイスター達は大笑いする） ヴァルター そのまま聞いてください！女性を賛美する箇所に、 私はようやくたどり着いた所なのです。 ベックメッサー （審判席を後にして） お望みなら歌いなさい！ですがここでは歌いそこねです。 マイスターの皆様、黒板をご覧あれ。 生まれてこの方、聞いたこともない歌だ。 皆様がどうおっしゃろうが、私は聞いたこともない。 ヴァルター マイスターの皆様、こんな邪魔立てを黙認するのですか？ 私の歌はどなたにも聞いてもらえないのですか？ ポーグナー もし！審判殿！興奮し過ぎですぞ！ ベックメッサー 審判なんぞ、やりたい人がやってください！ だが騎士殿が歌いそこねであることは、 マイスターの協議を待つまでもなく、証明してあげますよ。 これほど難しい仕事がありますか？ どこから始まって、どう終わるのか皆目分からない歌なんて？ 数の間違いや、韻の踏み方の間違いは、 この際不問に付すとしても、 短かすぎたり長すぎたりでは、誰が終わりだと分かるでしょう！真面目な話、こんなものを誰が詩だと思うでしょう？ ここでは「意図不明」の誤りのみを指摘しますが… どうです？これ以上のナンセンスがあり得るでしょうか？ マイスターたち （ザックスとポーグナーを除いて） 良く分からなかったぞ！そう言わねばなるまいて。 終わりがどこなのか誰にも分からなかった。 ベックメッサー おまけにあの節回し！全く馬鹿げたごたまぜだ。 「冒険の節回し」と「青いデルフィニューム」と、「高いモミの木の調べ」と「誇り高い若者の調べ」とのごたまぜだ！ コートナー その通り！私にもまるで理解できなかった！ ベックメッサー 段落もなければ、コロラトゥーラもなく、 メロディーの影も形もない！ オルテル、その後フォルツ 誰がこんなものを歌と言うだろう？ モーザー 不安でたまらなくなったぞ！ ナハティガル まったくだ。不安でいたたまれなくなった！ フォーゲルゲザンク 空虚な耳いじめにすぎない！ ツォルン しかも中味も全くない！ コートナー ましてや椅子から飛び上がるなど！ ベックメッサー まずは間違い探しをやりましょうかな？ それとも直ちに、歌いそこねと宣告しましょうか？ ザックス （歌が始まるなり次第に真剣に耳を傾けていたザックスは、ここで進み出る） お待ち下さい、マイスターの皆様！そう急いではなりません！ 誰もが同じ意見というわけではないでしょう。 騎士殿の歌と節回しは、 新奇ではありますが、混乱してはいませんでした。 確かに我らの流儀とは異なっておりましたが、 しっかりと、迷うことなく、歩みを進めておりました。 自分たちの規則にそぐわない事柄を、 なおも規則で判定しようとするなら、 規則の運用についてはひとたび忘れ、 規則の本来の意味を探し求めなければ！ ベックメッサー ハハハ、ごもっとも！さあ、皆さん、お聞きあれ！ ザックスが、下手くそ連中のための抜け穴を作るつもりです。 連中が思いつくまま気の向くまま、 気軽に好き勝手を仕出かすための抜け穴をね。 しかし、それならば、市場や路地で歌えばいいでしょう。 この場では、規則に従う歌のみが許されているのです！ ザックス 審判殿、どうしてそんなにムキになるのです？ なぜ余裕が持てないのですか？ 私が思うに、じっくり耳を傾ければ、 あなたの判断も、より深まっていくでしょう。 私の今のところの結論は、 騎士殿の歌を最後まで聞くべし、ということです。 ベックメッサー マイスター組合も、全ての歌学校も、 ザックスには取るに足らずと言うわけか。 ザックス とんでもない！私の願いは、 規則を無視しないでほしいということです！ だってこう書いてあるじゃありませんか。 「審判たる者は、 好悪に左右されることなく、 その判定を執り行うべし」とね。 何といっても、審判殿ご自身が嫁を探しているからには、 こんな気持ちにならないとも限りませんからね… 「あの椅子に座る恋敵を、歌学校の全員が居合わせる前で、 こき下ろしてやろう」という気持ちにね。 （ヴァルターの心に再び火が付く） ナハティガル それは言い過ぎですぞ！ コートナー 私事を持ち出すとは！ ポーグナー マイスターの皆さん、喧嘩はおやめ下さい！ ベックメッサー 何ですと？私が何を探していようと、 ザックス名人に何の関係があるのでしょう？ それぐらいなら、もっと心配してほしいものですよ、 私の足指が圧迫されないようにね！ 靴屋殿が大層な詩人になってからというもの、 私の靴は大層具合が悪いんですよ。 ブカブカなくせに、至る所で指に当たる！ 詩人殿の全ての詩、全ての韻、 物語も悲劇も喜劇も、私は喜んで受け入れますがね… その前にまずは明日の朝、新しい靴を家に持って来てほしいもんだ！ ザックス （耳の後ろを掻く） これはこれは親切なご忠告を… ですが、マイスターよ、果たして礼にかなったことでしょうか？ 何でもない男の靴底にさえ、 一言書き記さずにはいられないこの私が、 学識広大なるニュルンベルク市の書記殿に、 何も書き付けずに済ませたとしたら。 私の乏しい詩才だけでは、 あなたにふさわしい一文を、 すぐに見つけることはできません。 ですが、騎士殿の歌を聞き終えた後ならば。 きっとひらめくのではないでしょうか。 ですから騎士殿、邪魔は気にせず歌い続けてください！ （ヴァルターは非常に興奮したまま椅子の上に昇ると、そこから周囲を見下ろす） ベックメッサー もうやめろ！終わりにしろ！ オルテル、モーザー、フォーゲルゲザング、ナハティガル （次々に） もう沢山だ！ ツォルン、アイスリンガー 終わりにしろ！ コートナー 沢山だ！終わりにしろ。 ザックス （ヴァルターに） 歌うのです！審判殿が音を上げるまで！ ベックメッサー こんなものを聞かにゃならんのか？ 頭をヘンにする気か？ （ベックメッサーは審判席から黒板を引っ張り出し、続くヴァルターの歌の間、次から次へとマイスターに向かって黒板を差し出し、試験の結果を見せて回る） ヴァルター 茨の生垣の闇の中から、 ガサガサと姿を現すフクロウが、 金切り声を張り上げると、 湧き上がるのは、カラス達のかすれ声の合唱。 ベックメッサー 大から小までの間違いを記した この黒板を、とくとご覧あれ。 マイスターたち （ザックスとポーグナーを除いて） そうだ！まさにその通り！ ヴァルター 真っ黒な群れをなして、 みんなでキーキー鳴き騒ぎ、 虚ろな声をとどろかす カササギ、カラス、コクマルガラス！ ベックメッサー 「誤った押韻」「読めない単語」 「粘着音節」、さらには「悪習」までも。 マイスターたち （ザックスとポーグナーを除いて） もう良く分かった！ この騎士殿は失敗だ。 ザックスだけが味方して、その意を汲もうとしているが、 この歌学校では、もう静かにしなさい！ ザックス （感動しながらヴァルターを見つめる） おお、何という勇気だ！ 感極まって燃え立つ炎のようだ！ ヴァルター ちょうどその時、 大空へ羽ばたく 金色の翼の美しい鳥。 明るく輝くその羽が、 風を切って、きらめいている。 ベックメッサー 「曖昧」「間違った箇所での押韻」 「あべこべ」「並べそこね」…詩行全体にわたっているぞ。 詩連の間には、「継ぎはぎ」も見られる。 ポーグナー 確かに…都合の悪いことだが、 我が騎士殿は不利な状況！ マイスターたち （ザックスとポーグナーを除く） 同志に誰を選ぶかは、 あくまで各自が自由に決めること。 ザックス マイスターの皆さん！お喋りせずに耳を傾けてください！ ヴァルター 鳥は、悠々と空を舞いながら、 私にも飛び去れと合図を送る。 甘き苦痛に 心はふくらみ… ポーグナー だが、ここで負けてしまっては、 この先はもっと心配の種ばかりだ。 マイスターたち （ザックスとポーグナーを除く） 初心者大歓迎などということになったら、 マイスターになぞ何の価値があろうか？ ザックス （懇願するように） このザックスが頼むのです！どうかお聞きください！ ベックメッサー 「意図不明」だらけだ。 ザックス 審判殿、落ち着いてください！ ベックメッサー 「不明瞭な単語」や「食い違い」もあれば、 「言葉のかたまり」もある。 「誤った息継ぎ」もあれば、「不意打ち」もある。 ヴァルター 今や苦しみが翼を得る。 空へと羽ばたき、 血気にあふれて、 墓場のような街におさらばを告げ、 風を切って飛翔していく… はるか故郷の丘の上へと。 ザックス せめて他人に聞かせることぐらい許してはいかがです！ だが無駄か！全て無益な試みか！ 自分の声すらほとんど聞こえないのだから！ ベックメッサー まるで訳の分からぬ旋律だ！ あらゆる調べのごった煮だ！ ザックス この騎士を誰一人相手にしないというのに。 見上げた勇気だ！まだ歌い続けるとは！ ポーグナー 合格してくれる所が見たいものだ… ヴァルター 鳥たちの緑の草原へ… ヴァルター・フォーゲルヴァイデ師が私を受け入れた草原へ。 私は晴れやかながらも厳かに歌う… 愛する女性を称える歌を。 ダーフィトと徒弟たち （すでにベンチから立ち上がっていたダーフィトと徒弟たちは、審査席に近づくと、輪になって審査席を取り巻き、輪舞を踊るべく整列していく） どうかマイスターらしい歌をご披露ください！ 花の冠を、見事手に入れてください！ （徒弟たちは手をつなぎ、ますます陽気に、審査席を取り巻いて輪舞を踊る） ベックメッサー マイスターの皆様、もしもご苦労を厭わぬならば、 私が数え上げた誤りをもう一度数え直してみてください！ マイスターたち （ザックスとポーグナーを除く） 見たか！あの騎士、あんなにも身をよじって！ ポーグナー 婿にできれば、極めて値打ちの高い若者なのだが… ザックス さても肝の据わった若者だ… これぞまことに、詩人にして勇士！ ヴァルター 天高く羽ばたくがいい… マイスターというカラス達の気には召さぬとも、 誇らしき愛の歌よ、羽ばたくがいい… ダーフィトと徒弟たち 果たして、見事な絹で出来た花冠が、 めでたく騎士殿に与えられるでありましょうか？ ベックメッサー ８回ミスを犯せば、もう失敗だと言うのに、 これだけミスした者は前代未聞！ ポーグナー 勝者の側を迎え入れても、 娘がその男を選ぶとは限らぬものなあ…。 マイスターたち （ザックスとポーグナーを除く） なるほど、あのザックスが選んだだけのことはある！ （大笑いする） アッハッハ！ ザックス このハンス・ザックスが、同時に詩と靴とをものするように、 あの騎士もまた、騎士にして詩人。 マイスターたち （ザックスとポーグナーを除く） もういらいらするぞ！ いい加減やめないか！ ベックメッサー ５０のミスを優に超えていますぞ！ 皆様はこんな男をマイスターに選ぶお積りですか？ ポーグナー 正直言って、胸がふさいでたまらないのだ… あんなマイスターを、エーファは婿に選ぶだろうか！ マイスターたち （ザックスとポーグナーを除く） さあ、マイスター達よ、 ご賛同ならば挙手を願います！ （マイスター達は、賛同の挙手をする） ヴァルター さらばだ、マイスター達！この地上をさまよい続けよ！ ベックメッサー ではマイスターの皆様、ご宣告願います！ マイスターたち （ザックスとポーグナーを除く） 歌いそこね！失敗だ！ （ヴァルターは誇り高く軽蔑的な身振りで歌唱席から離れ、身を翻すと急いで退場する） （全員、興奮して右往左往する。徒弟たちは陽気に騒ぎ回りながら、審査席や歌手席、マイスターの座っていたベンチを片付けようとするが、彼らの流れと、出口に向かおうとするマイスター達の流れとが合流して混雑と混乱が生じる。一人前景に残ったまま、物思いにふけりながら、今は誰も座っていない歌唱席を見つめていたザックスだったが、その椅子すら徒弟が運び去っていく。喜劇役者風の不機嫌そうな大仰な身振りでザックスが身を翻すと、幕が下りる） DRITTE SZENE Die Einrichtung ist nun folgendermassen beendigt Zur Seite rechts sind gepolsterte Bänke in der Weise ausgestellt, dass sie einen schwachen Halbkreis nach der Mitte zu bilden. Am Ende der Bänke, in der Mitte der Bühne, befindet sich das »Gemerk« benannte Gerüst, welches zuvor hergerichtet worden. Zur linken Seite steht nun der erhöhte, kathederartige Stuhl (»der Singstuhl«) der Versammlung gegenüber. Im Hintergrunde, den grossen Vorhang entlang, steht eine lange niedere Bank für die Lehrlinge. Walther, verdriesslich über das Gespött der Knaben, hat sich auf die vordere Bank niedergelassen. Pogner und Beckmesser sind im Gespräch aus der Sakristei aufgetreten. Die Lehrbuben harren, ehrerbietig vor der hinteren Bank stehend. Nur David stellt sich anfänglich am Eingang der Sakristei auf POGNER zu Beckmesser Seid meiner Treue wohl versehen. Was ich bestimmt, ist Euch zu Nutz im Wettgesang müsst Ihr bestehen; wer böte Euch als Meister Trutz? BECKMESSER Doch wollt Ihr von dem Punkt nicht weichen, der mich - ich sag s - bedenklich macht; kann Evchens Wunsch den Werber streichen, was nützt mir meine Meisterpracht? POGNER Ei sagt! Ich mein, vor allen Dingen sollt Euch an dem gelegen sein. Könnt Ihr der Tochter Wunsch nicht zwingen, wie möchtet Ihr wohl um sie frei n? BECKMESSER Ei ja! Gar wohl! Drum eben bitt ich, dass bei dem Kind Ihr für mich sprecht, wie ich geworben zart und sittig und wie Beckmesser grad Euch recht. POGNER Das tu ich gern. BECKMESSER beiseite Er lässt nicht nach! Wie wehrt ich da nem Ungemach? WALTHER der, als er Pogner gewahrt, aufgestanden und ihm entgegengegangen ist, verneigt sich vor ihm Gestattet, Meister! POGNER Wie, mein Junker? Ihr sucht mich in der Singschul hie? Sie wechseln die Begrüssungen BECKMESSER immer beiseite Verstünden s die Frau n! Doch schlechtes Geflunker gilt ihnen mehr als all Poesie. Er geht verdriesslich im Hintergrunde auf und ab WALTHER Hier eben bin ich am rechten Ort. Gesteh ich s frei, vom Lande fort was mich nach Nürnberg trieb, war nur zur Kunst die Lieb . Vergass ich s gestern Euch zu sagen, heut muss ich s laut zu künden wagen ein Meistersinger möcht ich sein. Sehr innig Schliesst, Meister, in die Zunft mich ein! Kunz Vogelgesang und Konrad Nachtigall sind eingetreten POGNER freudig zu den Hinzutretenden Kunz Vogelgesang! Freund Nachtigall! Hört doch, welch ganz besondrer Fall! Der Ritter hier, mir wohlbekannt, hat der Meisterkunst sich zugewandt. Vorstellungen, Begrüssungen, andere Meister treten noch dazu BECKMESSER wieder in den Vordergrund tretend, für sich Noch such ich s zu wenden; doch sollt s nicht gelingen, versuch ich des Mädchens Herz zu ersingen. In stiller Nacht, von ihr nur gehört, erfahr ich, ob auf mein Lied sie schwört. Walther erblickend Wer ist der Mensch? POGNER sehr warm zu Walther fortfahrend Glaubt, wie mich s freut! Die alte Zeit dünkt mich erneut. BECKMESSER Er gefällt mir nicht! POGNER Was Ihr begehrt, BECKMESSER Was will er hier? - POGNER ...soviel an mir.... BECKMESSER Wie der Blick ihm lacht! POGNER ... sei s Euch gewährt. Half ich Euch gern bei des Guts Verkauf, BECKMESSER Holla, Sixtus! POGNER in die Zunft nun nehm ich Euch gleich gern auf. BECKMESSER Auf den hab acht! WALTHER Habt Dank der Güte aus tiefstem Gemüte! Und darf ich denn hoffen, steht heut mir noch offen, zu werben um den Preis, dass Meistersinger ich heiss ? BECKMESSER Oho! Fein sacht! Auf dem Kopf steht kein Kegel! POGNER Herr Ritter, dies geh nun nach der Regel. Doch heut ist Freiung ich schlag Euch vor; mir leihen die Meister ein willig Ohr. Die Meistersinger sind nun alle angelangt, zuletzt Hans Sachs SACHS Gott grüss Euch, Meister! VOGELGESANG Sind wir beisammen? BECKMESSER Der Sachs ist ja da! NACHTIGALL So ruft die Namen! KOTHNER zieht eine Liste hervor, stellt sich zur Seite auf und ruft laut Zu einer Freiung und Zunftberatung ging an die Meister ein Einladung bei Nenn und Nam , ob jeder kam, ruf ich nun auf als letztentbot ner, der ich mich nenn und bin Fritz Kothner. Seid Ihr da, Veit Pogner? POGNER Hier zur Hand. Er setzt sich KOTHNER Kunz Vogelgesang? VOGELGESANG Ein sich fand. Er setzt sich KOTHNER Hermann Ortel? ORTEL Immer am Ort. Er setzt sich KOTHNER Balthasar Zorn? ZORN Bleibt niemals fort. Er setzt sich KOTHNER Konrad Nachtigall? NACHTIGALL Treu seinem Schlag. Er setzt sich KOTHNER Augustin Moser? MOSER Nie fehlen mag. Er setzt sich KOTHNER Niklaus Vogel? - Schweigt? EIN LEHRBUBE von der Bank aufstehend Ist krank. KOTHNER Gut Bess rung dem Meister! DIE MEISTER ausser Kothner Walt s Gott! DER LEHRBUBE Schön Dank! Er setzt sich wieder nieder KOTHNER Hans Sachs? DAVID vorlaut sich erhebend und auf Sachs zeigend Da steht er! SACHS drohend zu David Juckt dich das Fell? Verzeiht, Meister! Sachs ist zur Stell . Er setzt sich KOTHNER Sixtus Beckmesser? BECKMESSER Immer bei Sachs während er sich setzt dass den Reim ich lern von »blüh und wachs«. Sachs lacht KOTHNER Ulrich Eisslinger? EISSLINGER Hier. Er setzt sich KOTHNER Hans Foltz? FOLTZ Bin da. Er setzt sich KOTHNER Hans Schwarz? SCHWARZ Zuletzt Gott wollt s! Setzt sich KOTHNER Zur Sitzung gut und voll die Zahl. Beliebt s, wir schreiten zur Merkerwahl? VOGELGESANG Wohl eh r nach dem Fest. BECKMESSER Pressiert s dem Herrn? Mein Stell und Amt lass ich ihm gern. POGNER Nicht doch, Ihr Meister! Lasst das jetzt fort. Für wichtigen Antrag bitt ich ums Wort. Alle Meister stehen auf, nicken Kothner zu und setzen sich wieder KOTHNER Das habt Ihr, Meister, sprecht! POGNER Nun hört und versteht mich recht! - Das schöne Fest, Johannistag, Ihr wisst, begeh n wir morgen. Auf grüner Au , am Blumenhang, bei Spiel und Tanz im Lustgelag, an froher Brust geborgen, vergessen seiner Sorgen, ein jeder freut sich, wie er mag. Die Singschul ernst im Kirchenchor die Meister selbst vertauschen; mit Kling und Klang hinaus zum Tor auf offne Wiese ziehn sie vor bei hellen Festes Rauschen; das Volk sie lassen lauschen dem Freigesang mit Laienohr. Zu einem Werb- und Wettgesang gestellt sind Siegespreise, und beide preist man weit und lang, die Gabe wie die Weise. Nun schuf mich Gott zum reichen Mann; und gibt ein jeder, wie er kann, so musste ich wohl sinnen, was ich gäb zu gewinnen, dass ich nicht käm zu Schand so hört denn, was ich fand. In deutschen Landen viel gereist, hat oft es mich verdrossen, dass man den Bürger wenig preist, ihn karg nennt und verschlossen. An Höfen wie an nied rer Statt des bitt ren Tadels ward ich satt, dass nur auf Schacher und Geld sein Merk der Bürger stellt. Dass wir im weiten deutschen Reich die Kunst einzig noch pflegen, dran dünkt ihnen wenig gelegen. Doch wie uns das zur Ehre gereich , und dass mit hohem Mut wir schätzen, was schön und gut, was wert die Kunst und was sie gilt, das ward ich der Welt zu zeigen gewillt. Drum hört, Meister, die Gab , die als Preis bestimmt ich hab. Dem Sieger, der im Kunstgesang vor allem Volk den Preis errang am Sankt-Johannis-Tag, sei er, wer er auch mag, dem geh ich, ein Kunstgewogner, von Nürnberg Veit Pogner, mit all meinem Gut, wie s geh und steh , Eva, mein einzig Kind, zur Eh . DIE MEISTER sich erhebend und sehr lebhaft durcheinander Das heisst ein Wort! Ein Mann! Da sieht man, was ein Nürnberger kann! Drob preist man Euch noch weit und breit, den wack ren Bürger Pogner Veit! Die LEHRBUBEN lustig aufspringend Alle Zeit, weit und breit Pogner Veit! Pogner Veit! VOGELGESANG Wer möchte da nicht ledig sein? SACHS Sein Weib gäb mancher gern wohl drein! KOTHNER Auf, ledig Mann! Jetzt macht euch ran! POGNER Nun hört noch, wie ich s ernstlich mein ! Die Meister setzen sich allmählich wieder nieder, die Lehrbuben ebenfalls Ein leblos Gabe geh ich nicht ein Mägdlein sitzt mit zu Gericht. Den Preis erkennt die Meisterzunft; doch gilt s der Eh , so will s Vernunft, dass ob der Meister Rat die Braut den Ausschlag hat. BECKMESSER zu Kothner gewandt Dünkt Euch das klug? KOTHNER laut Versteh ich gut, Ihr gebt uns in des Mägdleins Hut? BECKMESSER Gefährlich das! KOTHNER Stimmt es nicht bei, wie wäre dann der Meister Urteil frei? BECKMESSER Lasst s gleich wählen nach Herzensziel und lasst den Meistergesang aus dem Spiel! POGNER Nicht so! Wie doch? Versteht mich recht! Wem Ihr Meister den Preis zusprecht, die Maid kann dem verwehren, doch nie einen andren begehren. Ein Meistersinger muss er sein nur wen Ihr krönt, den soll sie frei n. SACHS erhebt sich Verzeiht! Vielleicht schon ginget Ihr zu weit. Ein Mädchenherz und Meisterkunst erglüh n nicht stets in gleicher Brunst; der Frauen Sinn, gar unbelehrt, dünkt mich dem Sinn des Volks gleich wert. Wollt Ihr nun vor dem Volke zeigen, wie hoch die Kunst Ihr ehrt, und lasst Ihr dem Kind die Wahl zu eigen, wollt nicht, dass dem Spruch es wehrt so lasst das Volk auch Richter sein; mit dem Kinde sicher stimmt s überein. VOGELGESANG, NACHTIGAL Oho! ALLE MEISTER ausser Sachs und Pogner Das Volk? Ja, das wäre schön! Ade dann Kunst und Meistertön ! KOTHNER Nein, Sachs! Gewiss, das hat keinen Sinn, gäbt Ihr dem Volk die Regeln hin? SACHS Vernehmt mich recht! Wie Ihr doch tut! Gesteht, ich kenn die Regeln gut; und dass die Zunft die Regeln bewahr , bemüh ich mich selbst schon manches Jahr. Doch einmal im Jahre fänd ich s weise, dass man die Regeln selbst probier , ob in der Gewohnheit trägem Gleise ihr Kraft und Leben nicht sich verlier und ob Ihr der Natur noch seid auf rechter Spur, das sagt Euch nur, wer nichts weiss von der Tabulatur. Die Lehrbuben springen auf und reiben sich die Hände BECKMESSER Hei! Wie sich die Buben freuen! SACHS eifrig fortfahrend Drum möcht es Euch nie gereuen, dass jährlich am Sankt-Johannis-Fest, statt dass das Volk man kommen lässt, herab aus hoher Meister Wolk Ihr selbst Euch wendet zu dem Volk. Dem Volke wollt Ihr behagen; nun dächt ich, läg es nah, Ihr liesst es selbst Euch auch sagen, ob das ihm zur Lust geschah. Dass Volk und Kunst gleich blüh und wachs , bestellt Ihr so, mein ich, Hans Sachs. VOGELGESANG Ihr meint s wohl recht! KOTHNER Doch steht s drum faul. NACHTIGALL Wenn spricht das Volk, halt ich das Maul. KOTHNER Der Kunst droht allweil Fall und Schmach, läuft sie der Gunst des Volkes nach. BECKMESSER Drin bracht er s weit, der hier so dreist Gassenhauer dichtet er meist. POGNER Freund Sachs, was ich mein , ist schon neu zuviel auf einmal brächte Reu ! Er wendet sich zu den Meistern. So frag ich, ob den Meistern gefällt Gab und Regel, so wie ich s gestellt? Die Meister erheben sich beistimmend. SACHS Mir genügt der Jungfer Ausschlagstimm . BECKMESSER Der Schuster weckt doch stets mir Grimm! KOTHNER Wer schreibt sich als Werber ein? Ein Junggesell muss es sein. BECKMESSER Vielleicht auch ein Witwer? Fragt nur den Sachs! SACHS Nicht doch, Herr Merker! Aus jüng rem Wachs als ich und Ihr muss der Freier sein, soll Evchen ihm den Preis verleih n. BECKMESSER Als wie auch ich? Grober Gesell! KOTHNER Begehrt wer Freiung, der komm zur Stell ! Ist jemand gemeld t, der Freiung begehrt? POGNER Wohl, Meister! Zur Tagesordnung kehrt! Und nehmt von mir Bericht, wie ich auf Meisterpflicht einen jungen Ritter empfehle, der will, dass man ihn wähle und heut als Meistersinger frei . - Mein Junker Stolzing, kommt herbei! Walther tritt hervor und verneigt sich BECKMESSER bei Seite Dacht ich mir s doch! Geht s da hinaus, Veit? Laut Meister, ich mein , zu spät ist s der Zeit. SCHWARZ und FOLTZ Der Fall Soll man sich freu n? DIE ÜBRIGEN MEISTER Ein Ritter gar? VOGELGESANG, MOSER, EISSLINGER Soll man sich freu n? ZORN, KOTHNER, NACHTIGALL, ORTEL Wäre da Gefahr? VOGELGESANG Oder wär Gefahr? ALLE MEISTER Immerhin hat s ein gross Gewicht, dass Meister Pogner für ihn spricht. KOTHNER Soll uns der Junker willkommen sein, zuvor muss er wohl vernommen sein. POGNER Vernehmt ihn wohl! Wünsch ich ihm Glück, nicht bleib ich doch hinter der Regel zurück. Tut,Meister, die Fragen! KOTHNER So mög uns der Junker sagen ist er frei und ehrlich geboren? POGNER Die Frage gebt verloren, da ich Euch selbst des Bürge steh , dass er aus frei und edler Eh von Stolzing Walther aus Frankenland, nach Brief und Urkund mir wohlbekannt. Als seines Stammes letzter Spross verliess er neulich Hof und Schloss und zog nach Nürnberg her, dass er hier Bürger wär . BECKMESSER Neu Junker-Unkraut! Tut nicht gut! NACHTIGALL Freund Pogners Wort Genüge tut. SACHS Wie längst von den Meistern beschlossen ist, ob Herr, ob Bauer, hier nichts beschiesst hier fragt sich s nach der Kunst allein, wer will ein Meistersinger sein. KOTHNER Drum nun frag ich zur Stell welch Meisters seid Ihr Gesell ? WALTHER Am stillen Herd in Winterszeit, wann Burg und Hof mir eingeschneit, wie einst der Lenz so lieblich lacht und wie er bald wohl neu erwacht, ein altes Buch, vom Ahn vermacht, gab das mir oft zu lesen Herr Walther von der Vogelweid , der ist mein Meister gewesen. SACHS Ein guter Meister! BECKMESSER Doch lang schon tot; wie lehrt ihn der wohl der Regeln Gebot? KOTHNER Doch in welcher Schul das Singen mocht Euch zu lernen gelingen? WALTHER Wann dann die Flur vom Frost befreit und wiederkehrt die Sommerszeit, was einst in langer Winternacht das alte Buch mir kundgemacht, das schallte laut in Waldespracht, das hört ich hell erklingen im Wald dort auf der Vogelweid , da lernt ich auch das Singen. BECKMESSER Oho! Von Finken und Meisen lerntet Ihr Meisterweisen? Das wird dann wohl auch darnach sein! VOGELGESANG Zwei art ge Stollen fasst er da ein. BECKMESSER Ihr lobt ihn, Meister Vogelgesang, wohl weil vom Vogel er lernt den Gesang? KOTHNER Was meint Ihr, Meister? Frag ich noch fort? Mich dünkt, der Junker ist fehl am Ort. SACHS Das wird sich bäldlich zeigen. Wenn rechte Kunst ihm eigen und gut er sie bewährt, was gilt s, wer sie ihn gelehrt? KOTHNER zu Walther Seid Ihr bereit, ob Euch geriet mit neuer Find ein Meisterlied, nach Dicht und Weis Eu r eigen, zur Stunde jetzt zu zeigen? WALTHER Was Winternacht, was Waldespracht, was Buch und Hain mich wiesen; was Dichtersanges Wundermacht mir heimlich wollt erschliessen; was Rosses Schritt beim Waffenritt, was Reihentanz bei heit rem Schanz mir sinnend gab zu lauschen gilt es des Lebens höchsten Preis, um Sang mir einzutauschen, zu eignem Wort und eigner Weis will einig mir es fliessen, als Meistersang, ob den ich weiss, Euch Meistern sich ergiessen. BECKMESSER Entnahmt Ihr was der Worte Schwall? VOGELGESANG Ei nun, er wagt s! NACHTIGALL Merkwürd ger Fall! KOTHNER Nun, Meister, wenn s gefällt, werd das Gemerk bestellt. - zu Walther Wählt der Herr einen heiligen Stoff? WALTHER Was heilig mir, der Liebe Panier schwing und sing ich mir zu Hoff . KOTHNER Das gilt uns weltlich. Drum allein, Meister Beckmesser, schliesst Euch ein! BECKMESSER erhebt sich und schreitet wie widerwillig dem Gemerke zu Ein sau res Amt, und heut zumal! Wohl gibt s mit der Kreide manche Qual. Er verneigt sich gegen Walther. Herr Ritter, wisst Sixtus Beckmesser Merker ist. Hier im Gemerk verrichtet er still sein strenges Werk. Sieben Fehler gibt er Euch vor, die merkt er mit Kreide dort an wenn er über sieben Fehler verlor, dann versang der Herr Rittersmann. Er setzt sich im Gemerk Gar fein er hört; doch dass er Euch den Mut nicht stört, säht Ihr ihm zu, so gibt er Euch Ruh und schliesst sich gar hier ein - lässt Gott Euch befohlen sein. Er streckt den Kopf höhnisch freundlich nickend heraus und verschwindet hinter dem zugezogenen Vorhange des Gemerks gänzlich KOTHNER winkt den Lehrbuben. Zu Walther Was Euch zum Liede Richt und Schnur, vernehmt nun aus der Tabulatur. Zwei Lehrbuben haben die an der Wand aufgehängte Tafel der »Leges Tabulaturae« herabgenommen und halten sie Kothner vor; dieser liest daraus »Ein jedes Meistergesanges Bar stell ordentlich ein Gemässe dar aus unterschiedlichen Gesätzen, die keiner soll verletzen. Ein Gesätz besteht aus zweenen Stollen, die gleiche Melodei haben sollen; der Stoll aus etlicher Vers Gebänd , der Vers hat seinen Reim am End . Darauf erfolgt der Abgesang, der sei auch etlich Verse lang und hab sein besond re Melodei, als nicht im Stollen zu finden sei. Derlei Gemässes mehre Baren soll ein jed Meisterlied bewahren; und wer ein neues Lied gericht t, das über vier der Silben nicht eingreift in andrer Meister Weis , dess Lied erwerb sich Meisterpreis.« - Er gibt die Tafel den Lehrbuben zurück; diese hängen sie wieder auf Nun setzt Euch in den Singestuhl! WALTHER mit einem Schauer Hier - in den Stuhl? KOTHNER Wie s Brauch der Schul . WALTHER besteigt den Stuhl und setzt sich mit Widerstreben. Beiseite Für dich, Geliebte, sei s getan! KOTHNER sehr laut Der Sänger sitzt. BECKMESSER unsichtbar im Gemerk, sehr grell Fanget an! WALTHER Fanget an! So rief der Lenz in den Wald, dass laut es ihn durchhallt; und wie in fern ren Wellen der Hall von dannen flieht, von weither naht ein Schwellen, das mächtig näher zieht; es schwillt und schallt, es tönt der Wald von holder Stimmen Gemenge; nun laut und hell schon nah zur Stell , wie wächst der Schwall! Wie Glockenhall ertost des Jubels Gedränge! Der Wald, wie bald antwortet er dem Ruf, der neu ihm Leben schuf, stimmte an das süsse Lenzeslied! - Man hört aus dem Gemerk unmutige Seufzer des Merkers und heftiges Anstreichen mit der Kreide. Auch Walther hat es gehört; nach kurzer Störung fährt er fort In einer Dornenhecken, von Neid und Gram verzehrt, musst er sich da verstecken, der Winter, grimm-bewehrt. Von dürrem Laub umrauscht er lauert da und lauscht, wie er das frohe Singen zu Schaden könnte bringen. - Er steht vom Stuhle auf Doch fanget an! So rief es mir in der Brust, als noch ich von Liebe nicht wusst . Da fühlt ich s tief sich regen, als weckt es mich aus dem Traum; mein Herz mit bebenden Schlägen erfüllte des Busens Raum das Blut, es wallt mit Allgewalt, geschwellt von neuem Gefühle; aus warmer Nacht mit Übermacht schwillt mir zum Meer der Seufzer Heer im wilden Wonnegewühle. Die Brust wie bald antwortet sie dem Ruf, der neu ihr Leben schuf; stimmt nun an das hehre Liebeslied! BECKMESSER den Vorhang aufreissend Seid Ihr nun fertig? WALTHER Wie fraget Ihr? BECKMESSER Mit der Tafel ward ich fertig schier. Er hält die ganz mit Kreidestrichen bedeckte Tafel heraus; die Meister brechen in ein Gelächter aus WALTHER Hört doch! Zu meiner Frauen Preis gelang ich jetzt erst mit der Weis . BECKMESSER das Gemerk verlassend Singt, wo Ihr wollt! Hier habt Ihr vertan. Ihr Meister, schaut die Tafel Euch an so lang ich leb , ward s nicht erhört; ich glaubt s nicht, wenn Ihr s all auch schwört! WALTHER Erlaubt Ihr s, Meister, dass er mich stört? Blieb ich von allen ungehört? POGNER Ein Wort, Herr Merker! Ihr seid gereizt! BECKMESSER Sei Merker fortan, wer danach geizt! Doch dass der Junker hier versungen hat, beleg ich erst noch vor der Meister Rat. Zwar wird s ne harte Arbeit sein wo beginnen, da wo nicht aus noch ein? Von falscher Zahl und falschem Gebänd schweig ich schon ganz und gar; zu kurz, zu lang, wer ein End da fänd ! Wer meint hier im Ernst einen Bar? Auf »blinde Meinung« klag ich allein sagt, konnt ein Sinn unsinniger sein? DIE MEISTER ohne Sachs und Pogner Man ward nicht klug! Ich muss gestehn. Ein Ende konnte keiner erseh n. BECKMESSER Und dann die Weis ! Welch tolles Gekreis aus »Abenteuer«-, »blau Rittersporn«-Weis , »hoch Tannen«- und »stolz Jüngling«-Ton! KOTHNER Ja, ich verstand gar nichts davon! BECKMESSER Kein Absatz wo, kein Koloratur, von Melodei auch nicht eine Spur! ORTEL, dann FOLTZ Wer nennt das Gesang? MOSER Es ward einem bang ! NACHTIGALL Ja, s ward einem bang! VOGELGESANG Eitel Ohrgeschinder! ZORN Auch gar nichts dahinter! KOTHNER Und gar vom Singstuhl ist er gesprungen! BECKMESSER Wird erst auf die Fehlerprobe gedrungen? Oder gleich erklärt, dass er versungen? SACHS der vom Beginne an Walther mit wachsendem Ernst zugehört hat, schreitet vor Halt Meister! Nicht so geeilt! Nicht jeder Eure Meinung teilt. Des Ritters Lied und Weise, sie fand ich neu, doch nicht verwirrt; verliess er unsre Gleise, schritt er doch fest und unbeirrt. Wollt Ihr nach Regeln messen, was nicht nach Eurer Regeln Lauf, der eig nen Spur vergessen, sucht davon erst die Regeln auf! BECKMESSER Aha, schon recht! Nun hört Ihr s doch den Stümpern öffnet Sachs ein Loch, da aus und ein nach Belieben ihr Wesen leicht sie trieben. Singet dem Volk auf Markt und Gassen; hier wird nach den Regeln nur eingelassen! SACHS Herr Merker, was doch solch ein Eifer? Was doch so wenig Ruh ? Eu r Urteil, dünkt mich, wäre reifer, hörtet Ihr besser zu. Darum, so komm ich jetzt zum Schluss, dass den Junker man zu End hören muss. BECKMESSER Der Meister Zunft, die ganze Schul , gegen den Sachs da sind wir Null. SACHS Verhüt es Gott, was ich begehr , dass das nicht nach den Gesetzen wär ! Doch da nun steht geschrieben »Der Merker werde so bestellt, dass weder Hass noch Lieben das Urteil trübe, das er fällt« - Geht der nun gar auf Freiersfüssen, wie sollt er da die Lust nicht büssen, den Nebenbuhler auf dem Stuhl zu schmähen vor der ganzen Schul ? Walther flammt auf. NACHTIGALL Ihr geht zu weit! KOTHNER Persönlichkeit! POGNER Vermeidet, Meister, Zwist und Streit! BECKMESSER Ei, was kümmert doch Meister Sachsen, auf was für Füssen ich geh? Liess er doch lieber Sorge sich wachsen, dass mir nichts drück die Zeh ! Doch seit mein Schuster ein grosser Poet, gar übel es um mein Schuhwerk steht. Da seht, wie s schlappt und überall klappt! All seine Vers und Reim liess ich ihm gern daheim, Historien, Spiel und Schwänke dazu, brächt er mir morgen die neuen Schuh ! SACHS kratzt sich hinter den Ohren Ihr mahnt mich da gar recht doch schickt sich s, Meister, sprecht, dass, find ich selbst dem Eseltreiber ein Sprüchlein auf die Sohl , dem hochgelahrten Herrn Stadtschreiber ich nichts drauf schreiben soll? Das Sprüchlein, das Eu r würdig sei, mit all meiner armen Poeterei fand ich noch nicht zur Stund ; doch wird s wohl jetzt mir kund, wenn ich des Ritters Lied gehört drum sing er nun weiter ungestört! Walther steigt in grosser Aufregung auf den Singstuhl und blickt stehend herab BECKMESSER Nicht weiter! Zum Schluss! ORTEL, MOSER, VOGELGESANG, NACHTIGALL nacheinander Genug! ZORN, EISSLINGER Zum Schluss! KOTHNER Genug! Zum Schluss. SACHS zu Walther Singt dem Herrn Merker zum Verdruss! BECKMESSER Was sollte man da noch hören? Wär s nicht Euch zu betören? Er holt aus dem Gemerk die Tafel herbei und hält sie während des Folgenden, von einem zum andern sich wendend, zur Prüfung den Meistern vor WALTHER Aus finst rer Dornenhecken die Eule rauscht hervor, tät rings mit Kreischen wecken der Raben heis ren Chor BECKMESSER Jeden Fehler gross und klein seht genau auf der Tafel ein. DIE MEISTER ohne Sachs und Pogner Jawohl, so ist s! WALTHER in nächt gem Heer zu Hauf wie krächzen all da auf mit ihren Stimmen, den hohlen, die Elstern, Kräh n und Dohlen! BECKMESSER »Falsch Gebänd«, »unredbare Worte«, »Klebsilben«, hier »Laster« gar; DIE MEISTER ohne Sachs und Pogner Ich seh es recht! Mit dem Herrn Ritter steht es schlecht. Mag Sachs von ihm halten, was er will, hier in der Singschul schweig er still! SACHS beobachtet Walther entzückt Ha, welch ein Mut! Begeisterungsglut! - WALTHER Auf da steigt mit gold nem Flügelpaar ein Vogel wunderbar sein strahlend hell Gefieder licht in den Lüften blinkt; BECKMESSER »Äquivoca«, »Reim am falschen Orte«, »verkehrt«, »verstellt« der ganze Bar; ein »Flickgesang« hier zwischen den Stollen; POGNER Jawohl, ich seh s, was mir nicht recht mit meinem Junker steht es schlecht! DIE MEISTER ohne Sachs und Pogner Bleibt einem jeden doch unbenommen, wen er sich zum Genossen begehrt! SACHS Ihr Meister, schweigt doch und hört! WALTHER schwebt selig hin und wider, zu Flug und Flucht mir winkt. Es schwillt das Herz vor süssem Schmerz, POGNER Weich ich hier der Übermacht, mir ahnet, dass mir s Sorge macht. DIE MEISTER ohne Sachs und Pogner Wär uns der erste best willkommen, was blieben die Meister dann wert? SACHS inständig Hört, wenn Sachs Euch beschwört! BECKMESSER »blinde Meinung« allüberall; SACHS Herr Merker da, gönnt doch nur Ruh ! BECKMESSER »unklare Wort «, »Differenz«, hier »Schrollen«, da »falscher Atem«, hier »Überfall«. WALTHER der Not entwachsen Flügel; es schwingt sich auf zum kühnen Lauf, aus der Städte Gruft zum Flug durch die Luft, dahin zum heimischen Hügel; SACHS Lasst and re hören, gebt das nur zu! Umsonst! All eitel Trachten! Kaum vernimmt man sein eig nes Wort! BECKMESSER Ganz unverständliche Melodei! Aus allen Tönen ein Mischgebräu! SACHS Des Junkers will keiner achten. Das nenn ich Mut, singt der noch fort! POGNER Wie gern säh ich ihn angenommen, WALTHER dahin zur grünen Vogelweid , wo Meister Walther einst mich freit ; da sing ich hell und hehr der liebsten Frauen Ehr ; DAVID und die LEHRBUBEN sind von der Bank aufgestanden und nähern sich dem Gemerk, um welches sie einen Ring schliessen und sich zum Reigen ordnen Glück auf zum Meistersingen, mögt Ihr Euch das Kränzlein erschwingen! Sie fassen sich an und tanzen im Ringe immer lustiger um das Gemerk BECKMESSER Scheutet Ihr nicht das Ungemach, Meister, zählt mir die Fehler nach! DIE MEISTER ohne Sachs und Pogner Hei wie sich der Ritter da quält! POGNER als Eidam wär er mir gar wert; SACHS Das Herz auf dem rechten Fleck ein wahrer Dichter-Reck ! WALTHER auf dann steigt, ob Meister-Kräh n ihm ungeneigt, das stolze Minnelied. - DAVID und die LEHRBUBEN Das Blumenkränzlein aus Seiden fein wird das dem Herrn Ritter beschieden sein? BECKMESSER Verloren hätt er schon mit dem acht doch so weit wie der hat s noch keiner gebracht! POGNER nenn ich den Sieger jetzt willkommen, wer weiss, ob ihn mein Kind erwählt? DIE MEISTER ohne Sachs und Pogner Der Sachs hat ihn sich erwählt! - lachend Hahaha! SACHS Mach ich, Hans Sachs, wohl Vers und Schuh , ist Ritter der und Poet dazu. DIE MEISTER ohne Sachs und Pogner s ist ärgerlich gar! Drum macht ein End ! BECKMESSER Wohl über fünfzig, schlecht gezählt! Sagt, ob Ihr Euch den zum Meister wählt? POGNER Gesteh ich s, dass mich das quält, ob Eva den Meister wählt! DIE MEISTER ohne Sachs und Pogner Auf, Meister, stimmt und erhebt die Händ ! Die Meister erheben die Hände WALTHER Ade, Ihr Meister, hienied ! BECKMESSER Nun, Meister, kündet s an! DIE MEISTER ohne Sachs und Pogner Versungen und vertan! Er verlässt mit einer stolzen verächtlichen Gebärde den Stuhl und wendet sich rasch zum Fortgehen. Alles geht in Aufregung auseinander; lustiger Tumult der Lehrbuben, welche sich des Gemerks, des Singstuhls und der Meisterbänke bemächtigen, wodurch Gedränge und Durcheinander der nach dem Ausgange sich wendenden Meister entsteht. Sachs, der allein im Vordergrunde geblieben, blickt noch gedankenvoll nach dem leeren Singestuhl, als die Lehrbuben auch diesen erfassen. Während Sachs mit humoristisch-unmutiger Gebärde sich abwendet, fällt der Vorhang この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Wagner,Richard/Die Meistersinger von Nürnberg/ActⅡ-1
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Introduction to Partial Differential Equations Princeton Univ Pr? Gerald B. Folland? PrincetonUnivPr? GeraldB.Folland? ユーズドブック(洋書)-Science? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-Applied-DifferentialEquations? Substores-UnknownASINs-jp-unknown1? Subjects-Science-General 洋書